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Projection of Theater, Cinema, Stage & Sound.</TITLE> <META content="aahray, audio transponcer,A/V system, audio visual, replacement diaphragms, replacement cones, home theater installers, custom frame rebuilds, free crossover calculator, sonic transponcer, reconers, econer, reconing parts, modified speakers, replacement kits, professional sound supply, OEM rebuilding, cinema amplifiers, monitors stage, PA systems, 10", 12" JBL 18", enclosure design build, reconing, improved specification, JBL modification, loudspeaker salon, cymatic flat cone, nearfield optimized transducers, loudspeaker design, home theater sales, planar transducers, acoustical holography, theater cinema, sensitivity speaker, voice coils, sound reinforcement, line array, line level, online sales service, acoustic resonators, amplification electronics, nearfield acoustic, engineered subwoofer, stereo repair, loudspeaker repair, recone kits, speaker wattage, replacement woofers, sonic modifications, reconing kits, refoaming, phase distortion, cone repair shop, phase equalized, phase alignment, extreme stereo, low cost bass, dynamic woofers, JBL pro audio, JBL pro media, specialty subsonic, JBL subwoofer, live sound system, pentewere, mehen" name="KEYWORDS"> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.in; PADDING-BOTTOM: 0in"> <SPAN style="MARGIN-LEFT:3.4in;FONT-SIZE: 18pt; COLOR:$050005;FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 18.0pt"> <h1>Just In! 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COLOR: black; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt;background-color:'#grey'"> <IMG height="170" width="200" alt="Full Build Speaker Cabinets" Title="Image Alpha 2x10" src="http://www.kennedyaudio.com/ALPHA2x10.jpg" align="baseline"> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: -0pt; MARGIN-TOP: -1.77in;MARGIN-LEFT: 4.35in; PADDING-BOTTOM: -1.77in;PADDING-TOP: .0in; PADDING-LEFT:.6in;Margin-Right:-1.0in"> </img></img> </span> </p> </p> <P class=MsoNormal style="BORDER-RIGHT: 0pt; 0pt;FONT-SIZE: 40pt; MARGIN-TOP: -2.0in; PADDING-LEFT: 2.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 0.1in; WIDTH: 3.0in; "> <IMG height="170" width="200" alt="'AAHRAY Cymatic Speakers'" title="Made in USA stereo theater cymatic speakers" src="http://www.kennedyaudio.com/cymatic1.JPG" align="baseline" border=3></img> </a> </a></span> </p> </span> <P class=MsoNormal style="BORDER-RIGHT: 0pt; 0pt;FONT-SIZE: 40pt; MARGIN-TOP: -0.0in; PADDING-LEFT: 2.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 0.1in; WIDTH: 8.0in; "> <TABLE cellSpacing=2 cellPadding=1 width="47%" bgColor=#999f9> <TBODY> <TR> <TD vAlign=left width=100 height = 300> <P style="FONT-SIZE: 10pt; MARGIN: 0.24in 1px 0pt 0pt; FONT-FAMILY: Arial,sans-serif,'Georgia'"> The heartbeat of the first of a class called Frequency Aligned Control Transducers (FACT) Audio phased array sonic transponcer engine shown below here for the first time March 18 2011- a transited 2nd order serial croosover protects high sensitivy horn diaphragms. It adaptively controls thermal effects for intermodulation distortion and diabatic phase shift effects and velocity anticlinorium ringing in rain or high humidity air. Cast horn mounts to 2123 JBL faceplate to make the Pentewere 'Transponcer'. Shown here without the carbon fiber cover diaphragm that imparts controlled dispersion audio tweeter properties across large area near and far fields. <a link rel="canonical" href="http://www.kennedyaudio.com/why.htm" onMouseOver="document.rollover.src='http://www.kennedyaudio.com/aahrayup3.JPG'", onMouseOut="document.rollover.src='http://www.kennedyaudio.com/controlledd.JPG'"> <img src="http://www.kennedyaudio.com/aahrayup3.JPG" border=0 name="rollover" ALT="Main Crossover Image" align="RIGHT" border=1></a> <a href="http://www.kennedyaudio.com/cotypes.htm"> Crossovers </a>are built in for the Transponcer audiophile versions and Flyback Diodes used in the line array Version. We are speaker repair central, JBL speaker kit suppliers: Pentewere Transponcers, Triplex Mehen Reactive Radiators (named for Stonehenge's Welsh Bluestone Dolomite Maenclochog, 'Ringing Stones', taken from Egyptian God Mehen;) Voltage and Current Drive Amp, AAHRAY and more...<BR> We are NOT makers of ticky tacky little boxes. Kennedy Audio is MADE FROM ROCK!. Interference of phase or near neighbor transducer is not tolerated. Dished in large bass diaphgragms in multi-sized arrays are old technology, due for replacement because of phase shifts from their delayed response as frequency response gets higher and higher on the curve. The result is lighter hearted sound, Ka Ahnk Hatua. Its the way it's always been done. </td> </p></p> </tbody> </table> <P class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt;FONT-SIZE: 13pt; MARGIN-TOP: 2.0in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 1.01in; BORDER-LEFT: medium none; PADDING-TOP: 0in; BORDER-BOTTOM: medium none; mso-border-alt: solid windowtext -1.0pt; mso-padding-alt: .0pt 0.in .0pt .0pt;LEFT: 1.02in; WIDTH: 3.75in; POSITION: absolute; HEIGHT: 12pt"> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 1.24in; PADDING-LEFT: -1.35in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0in"> <P class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt;FONT-SIZE: 13pt; MARGIN-TOP: -0.0in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 1.024in; BORDER-LEFT: medium none; PADDING-TOP: 0in; BORDER-BOTTOM: medium none; mso-border-alt: solid windowtext -1.0pt; mso-padding-alt: .0pt 0.in .0pt .0pt;LEFT: 1.0in; WIDTH: 3.75in; POSITION: absolute; HEIGHT: 12pt"> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -1.047in; PADDING-LEFT: 4.35in; PADDING-BOTTOM: 0in"> <SPAN style="MARGIN-LEFT:-1.75in;FONT-SIZE: 14pt; COLOR: #7CE4EA; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt;background-color:'#grey'"> While others sell the JBL 2123 take outs on eBay for 3 times as much money, we in the recone business know that they have paper weight variations. The heavier the <BR> </span> <SPAN style="MARGIN-LEFT:-1.75in;FONT-SIZE: 14pt; COLOR: #7CE4E9; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt;background-color:'#grey'"> cone, the more delay phase shifting for higher frequency ranges. So our Phased AAHRAY uses the same weight cones that saves you money <BR> </span> <SPAN style="MARGIN-LEFT:-1.75in;FONT-SIZE: 14pt; COLOR: #7CF4F6; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt;background-color:'#grey'"> in the long run because you don't lose paper sluff off with carbon fiber </span> </p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.22in; PADDING-LEFT: 4.2in; PADDING-BOTTOM: 0in"> <SPAN style="MARGIN-LEFT:2.79in;FONT-SIZE: 14pt; COLOR: #7CF4F6; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt;background-color:'#grey'"> covered non-phase cancellation versus such concave design. A dish woofer can't really<BR> </span> <SPAN style="MARGIN-LEFT:-1.6in;FONT-SIZE: 14pt; COLOR: #8CF4F6; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt;background-color:'#grey'"> cancel out the frequencies above 1-2K hertz as expected. An audiophile cover screen helps but is inadequate. Componentry is our trade. </span> </p> <SPAN style="MARGIN-LEFT:2.6in;FONT-SIZE: 14pt; COLOR: #8CF4F6; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt;background-color:'#grey'"> Transponcers re-create frequencies using TWO compression drivers <u>in series</u> with hand built series 2nd order <a href="http://www.kennedyaudio.com/cotypes.htm">crossovers.</a> </span><BR> <SPAN style="MARGIN-LEFT:2.6in;FONT-SIZE: 14pt; COLOR: #8CF4F6; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt;background-color:'#grey'"> This allows us to use off-the-shelf lower cost dual horn drivers producing more SPL and eliminate the <u>unexpected anomolies</u> that digital controllers </span><BR> <SPAN style="MARGIN-LEFT:2.6in;FONT-SIZE: 14pt; COLOR: #8CF4F6; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt;background-color:'#grey'"> suffer from, their plan does not consider weight delays and overlapping <u>PHASE SHIFTING</u> in the AUDIO COMPONENTS THEMSELVES! </span> </p> </p> </span> </p></p> <table align="right" border="2" width="8%"> <tbody> <td width="22%" > <a href="http://www.kennedyaudio.com/why.htm"> <IMG height="300" width="350" alt="PA Towers currently selling" title="Big Inexpensive Telepresence system" src="http://www.kennedyaudio.com/aahrayR2.JPG" align="RIGHT" border=1></img></a></td> <td width="22%" > <A HREF="http://www.kennedyaudio.com/Inventory.htm" rel="nofollow">We DO <B><i>Live</i> Sound PA Setup/Operate</b> <img height="38" width="122" alt="Availability List" title="Explorer Brows" src="http://www.kennedyaudio.com/InStock.JPG" ></img></a> <td width="14%">3 men per day Mobile Unit $1500</TD> </tbody> </table> </p> <SPAN style="MARGIN-LEFT:0.5in;FONT-SIZE: 16pt; COLOR: #7CE4EA; FONT-FAMILY: 'Droid-Serif','Arial'; mso-bidi-font-size: 12.0pt"> <BR><BR>Bi-AMP? Whats an AAHRAY?<BR> <SPAN style="WIDTH 8in;MARGIN-TOP 0.5in;MARGIN-RIGHT -1.0in;MARGIN-LEFT:0in;FONT-SIZE: 14pt; COLOR: #5DE4D1; FONT-FAMILY: 'Droid-Serif','Haettenschweiler'; mso-bidi-font-size: 14.0pt;background-color:'#grey'"> AAHRAY is specially designed to expand the stereo sweet spot with zero dB loudness or sound pressure increase. </span> <BR> Main street retail prices? I know people who never use expensive speakers!<BR> <SPAN style="WIDTH 8in;MARGIN-TOP 0.5in;MARGIN-RIGHT -1.0in;MARGIN-LEFT:0in;FONT-SIZE: 14pt; COLOR: #5DE4D3; FONT-FAMILY: 'Droid-Serif','Haettenschweiler'; mso-bidi-font-size: 14.0pt;background-color:'#grey'"> Their product representation is bought by big marketing firms, not by their patrons or LOCAL suppliers.<BR> </span> Whats the difference in design quality? Is reliability a waste of money or based on time proven guaranteed satisfaction?<BR> <SPAN style="WIDTH 8in;MARGIN-TOP 0.5in;MARGIN-RIGHT -1.0in;MARGIN-LEFT:0in;FONT-SIZE: 14pt; COLOR: #5DE4D1; FONT-FAMILY: 'Droid-Serif','Haettenschweiler'; mso-bidi-font-size: 14.0pt;background-color:'#grey'"> Quality, replacement parts, reliability - all the same yet different aspects of assurance, tests, tradition, physics, and better product representation methods. More Social Marketing<BR> </span> JBL designed in the Art Deco era many variations in 3 and 4 inch coil size. <BR> We offer our own weight reduction variations as well as more robust option coils for 10, 12, 15 and 18 inch speakers. This is in the tradition of old school JBL. Don't feel like you must always recone a product that was state of the art at the time to its original specification.<BR> </span> </p> <P></p> <p class=MsoNormal style="PADDING-LEFT: 0.000in;MARGIN-LEFT:0.750in"> <SPAN style="FONT-SIZE: 18pt; COLOR: #100552; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> Bad Page Graphics? Click here:<A href = "http://www.kennedyaudio.com/index2.htm"> Fix Text Over Text MISMATCH Below for Explorer 8/9 </a> </span> </p> <p class=MsoNormal style="PADDING-LEFT: 0.000in;MARGIN-LEFT:3.750in"> <a class="NavBar" onMouseOver="doRollover(this, '#cccccc', '#333399')" onMouseOut="doRollover(this, 'transparent', '00ffff')" href="http://www.kennedyaudio.com/why.htm"> <font face="'Verdana','Arial','Helvetica','sans-serif'" size="1" style="color: 00ffff;"> <FONT COLOR="#660033">R</font><FONT COLOR="#660000">E</font><FONT COLOR="#990033">A</font><FONT COLOR="#990000">D </font><FONT COLOR="CC0033">A</font><FONT COLOR="#CC0000">b</font><FONT COLOR="#FF0033">o</font><FONT COLOR="#FF000">u</font><FONT COLOR="#FF0033">t</font><FONT COLOR="#CC0000">&emsp;</font><FONT COLOR="#CC0000">N</font> <FONT COLOR="#FF0033">e</font><FONT COLOR="#FF0000">x</font><FONT COLOR="#FF0000">t</font><FONT COLOR="#FF0033">&emsp;</font> <FONT COLOR="#FF0033">J</font><FONT COLOR="#FF0033">a</font><FONT COLOR="#CC0000">n</font><FONT COLOR="#CC0033">u</font> <FONT COLOR="#CC0000">a</font><FONT COLOR="#FF000">r</font><FONT COLOR="#FF0033">y</font><FONT COLOR="#2C0DDF"> 2011- 3DTV is coming!</b> </font> </a></u></p> </p></span></p> <p class=MsoNormal style="MARGIN-TOP:0.0in;PADDING-BOTTOM: +0.04in;MARGIN-LEFT:0.00in"> <SPAN style="MARGIN-LEFT:0.71in;FONT-SIZE: 14pt; COLOR: #C2c3c3; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> In the times that we live in, there should be no difference between either the speakers or the amplifiers that are bought for any purpose. In decades of the past, an 'audiophile'<BR> customer demanded a complete system that had no distortion whatsoever. None, at any volume. These systems had small power supplies and wide dynamic ranges. The automotive customer wanted to use large current in his auto starter system to drive only power woofers and subsonics. The guitarist wanted speakers that can handle distorted waves, did not care about amplifier distortion at all , but the right tonal quality, a mix of harmonics - even and odd, distorted and clear- low intermodulation distortion intensive. It was not even thinkable that these requirements could be combined. And so they never did get sold that way. But in fact, the technology is on the shelf to do it, and you don't even have to buy the best transistors to make it happen. Since the society of electronic engineers standardized amplifier output impedance to 1000 ohms or damping factors of 125 for an 8 ohm speaker load, it became quite a bit easier yet. But the customer needs to spend a little more and be better retrained. This is the mission of our website - please read as many of the sub-pages that you need to read until you are a qualified buyer. ----------------------What's The BIG Secret ? ------- You MUST split output into low frequencies and higher harmonic ones without phase shifts. </span> </p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; PADDING-LEFT: 0.005in; PADDING-BOTTOM: 0.02in; MARGIN-LEFT:0.0in;MARGIN-TOP:-1.59in"> <SPAN style="MARGIN-LEFT:0.71in;FONT-SIZE: 14pt; COLOR:black; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> In the times that we live in, there should be no difference between either the speakers or the amplifiers that are bought for any purpose. In decades of the past, an 'audiophile' <BR> customer demanded a complete system that had no distortion whatsoever. None, at any volume. These systems had small power supplies and wide dynamic ranges. The automotive customer wanted to use large current in his auto starter system to drive only power woofers and subsonics. The guitarist wanted speakers that can handle distorted waves, did not care about amplifier distortion at all , but the right tonal quality, a mix of harmonics - even and odd, distorted and clear- low intermodulation distortion intensive. It was not even thinkable that these requirements could be combined. And so they never did get sold that way. But in fact, the technology is on the shelf to do it, and you don't even have to buy the best transistors to make it happen. Since the society of electronic engineers standardized amplifier output impedance to 1000 ohms or damping factors of 125 for an 8 ohm speaker load, it became quite a bit easier yet. But the customer needs to spend a little more and be better retrained. This is the mission of our website - please read as many of the sub-pages that you need to read until you are a qualified buyer. ----------------------What's The BIG Secret ? ------- You MUST split output into low frequencies and higher harmonic ones without phase shifts. </span> </p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; MARGIN-TOP: -1.58in; PADDING-LEFT: 0.0in; Margin-Left:0.07; PADDING-BOTTOM: 0.02in"> <SPAN style="MARGIN-LEFT:0.7075in;FONT-SIZE: 14pt; COLOR:#90FEc6; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> In the times that we live in, there should be no difference between either the speakers or the amplifiers that are bought for any purpose. In decades of the past, an 'audiophile' <BR> customer demanded a complete system that had no distortion whatsoever. None, at any volume. These systems had small power supplies and wide dynamic ranges. The automotive customer wanted to use large current in his auto starter system to drive only power woofers and subsonics. The guitarist wanted speakers that can handle distorted waves, did not care about amplifier distortion at all , but the right tonal quality, a mix of harmonics - even and odd, distorted and clear- low intermodulation distortion intensive. It was not even thinkable that these requirements could be combined. And so they never did get sold that way. But in fact, the technology is on the shelf to do it, and you don't even have to buy the best transistors to make it happen. Since the society of electronic engineers standardized amplifier output impedance to 1000 ohms or damping factors of 125 for an 8 ohm speaker load, it became quite a bit easier yet. But the customer needs to spend a little more and be better retrained. This is the mission of our website - please read as many of the sub-pages that you need to read until you are a qualified buyer. ----------------------What's The BIG Secret ? ------- You MUST split output into low frequencies and higher harmonic ones without phase shifts. </span> </p> </p> <p class=MsoNormal style="BORDER-RIGHT:0pt;MARGIN-TOP:0in"> <SPAN style="MARGIN-LEFT:0.0in;MARGIN-TOP:0.0in;FONT-SIZE: 14pt; COLOR: #90FEC6; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> </span></p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0.02in; MARGIN-LEFT:0.0in;MARGIN-TOP:0.0in"> <SPAN style="MARGIN-LEFT:0.7423in;FONT-SIZE: 14pt; COLOR:#C2c3c3; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> Because heavy, big cone weights in multiple speaker systems change phase so much in upper registers, we developed several ways to defeat this. Applications Vocalist, Stage Monitors, Disco, Telepresence, House Sound & Estate Theater. The sound we are used to will simply HAVE to be changed to upgrade to 3DTV in communication by telepresence. With the AAHRAY, some special sounds like a guitar whaa or flute seem to float above the speaker or in front of it. The reason is harmonics. Old stereo was rich in harmonics in the 13K to 20K band. With digital surround these days, you might hear a cymbal or some traffic noises there, but the spacial harmonic effect of the underlying midrange is filtered out by the noise filters and analog to digital conversion. The 1950's brought a passion for eliminating distortion of any kind, any where. This also removed harmonic content and tone in speakers and amplifiers. This invokes memories of what many American sound designers have said. Paraphrasing David Hafler who used to say <i>surround sound should NOT BE NECESSARY.</i>&#32;Audio in nature is from people's front. Sound from behind you often startles or upsets people. Only if a car drives from behind in video does Japanese origin surround ever impress anyone. Still, a biamp CFC or phased crossover would improve that also. For Telepresence or any webcast videos with surround sound the current technology just does not make sense. Bitrate limits of PCM, .WAV and DVD-Video is 6.144 Mbit/s, because of the required 8 channels x 48 kHz x 16-bit per sample = 6144 kbit/s. But in stereo sample rates improve to 2 channels X 96 Khz x 24-bit per sample = 9216 kbit/s. </span> </p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0.02in; MARGIN-LEFT:0.00in;MARGIN-TOP:-1.77in"> <SPAN style="MARGIN-LEFT:0.7425in;FONT-SIZE: 14pt; COLOR:#32f1A; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> Because heavy, big cone weights in multiple speaker systems change phase so much in upper registers, we developed several ways to defeat this. Applications Vocalist, Stage Monitors, Disco, Telepresence, House Sound & Estate Theater. The sound we are used to will simply HAVE to be changed to upgrade to 3DTV in communication by telepresence. With the AAHRAY, some special sounds like a guitar whaa or flute seem to float above the speaker or in front of it. The reason is harmonics. Old stereo was rich in harmonics in the 13K to 20K band. With digital surround these days, you might hear a cymbal or some traffic noises there, but the spacial harmonic effect of the underlying midrange is filtered out by the noise filters and analog to digital conversion. The 1950's brought a passion for eliminating distortion of any kind, any where. This also removed harmonic content and tone in speakers and amplifiers. This invokes memories of what many American sound designers have said. Paraphrasing David Hafler who used to say <i>surround sound should NOT BE NECESSARY.</i>&#32;Audio in nature is from people's front. Sound from behind you often startles or upsets people. Only if a car drives from behind in video does Japanese origin surround ever impress anyone. Still, a biamp CFC or phased <a href="http://www.kennedyaudio.com/cotypes.htm">crossover</a> would improve that also. For Telepresence or any webcast videos with surround sound the current technology just does not make sense. Bitrate limits of PCM, .WAV and DVD-Video is 6.144 Mbit/s, because of the required 8 channels x 48 kHz x 16-bit per sample = 6144 kbit/s. But in stereo sample rates improve to 2 channels X 96 Khz x 24-bit per sample = 9216 kbit/s. </span> </p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.00in;MARGIN-TOP:-1.797in"> <SPAN style="MARGIN-LEFT:0.7421in;FONT-SIZE: 14pt; COLOR:#90FEC6; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> Because heavy, big cone weights in multiple speaker systems change phase so much in upper registers, we developed several ways to defeat this. Applications Vocalist, Stage Monitors, Disco, Telepresence, House Sound & Estate Theater. The sound we are used to will simply HAVE to be changed to upgrade to 3DTV in communication by telepresence. With the AAHRAY, some special sounds like a guitar whaa or flute seem to float above the speaker or in front of it. The reason is harmonics. Old stereo was rich in harmonics in the 13K to 20K band. With digital surround these days, you might hear a cymbal or some traffic noises there, but the spacial harmonic effect of the underlying midrange is filtered out by the noise filters and analog to digital conversion. The 1950's brought a passion for eliminating distortion of any kind, any where. This also removed harmonic content and tone in speakers and amplifiers. This invokes memories of what many American sound designers have said. Paraphrasing David Hafler who used to say <i>surround sound should NOT BE NECESSARY.</i>&#32;Audio in nature is from people's front. Sound from behind you often startles or upsets people. Only if a car drives from behind in video does Japanese origin surround ever impress anyone. Still, a biamp CFC or phased <a href="http://www.kennedyaudio.com/cotypes.htm">crossover </a>would improve that also. For Telepresence or any webcast videos with surround sound the current technology just does not make sense. Bitrate limits of PCM, .WAV and DVD-Video is 6.144 Mbit/s, because of the required 8 channels x 48 kHz x 16-bit per sample = 6144 kbit/s. But in stereo sample rates improve to 2 channels X 96 Khz x 24-bit per sample = 9216 kbit/s. </span></p> </p></p></p> <BR> </span> </p></p></p> <BR> </span> </p></p></p> <BR> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.0in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0in"> <SPAN style="COLOR:#8CFEE8;WIDTH:5in;MARGIN-LEFT:2.704in;FONT-SIZE: 14pt; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> One of several audio problems solved by this passive filter is caused by op-amp <BR> </span> <SPAN style="color:#8CF4f6;WIDTH:5in;MARGIN-LEFT:2.704in;FONT-SIZE: 14pt; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> negative feedback used to linearize the sound levels to equal loudnesses -<BR> </span> <SPAN style="color:#8CF4f6;WIDTH:5in;MARGIN-LEFT:2.704in;FONT-SIZE: 14pt; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> DJ amplifiers especially use intense negative feedback to isolate <i>output impedances </i> <BR> </span> <SPAN style="color:#8CF4f6;WIDTH:5in;MARGIN-LEFT:2.704in;FONT-SIZE: 14pt; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> to horn compression drivers or to eliminate speaker flyback current and impedance swings relative <BR> </span> <SPAN style="color:#8CFEE8;WIDTH:5.5in;MARGIN-LEFT:2.704in;FONT-SIZE: 14pt; COLOR:#90FEC6; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> to varying frequencies. Controlling woofers by damping this way does not eliminate or retard systematic distortion<BR> </span> <SPAN style="color:#8CF4F6;WIDTH:5in;MARGIN-LEFT:2.704in;FONT-SIZE: 14pt; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> in audio <i>designed in</i>&#32; by concave cones or extra heavy paper or caused by a <a href="http://www.kennedyaudio.com/cotypes.htm">crossover </a>dynamic equalizer interaction.<BR> </span> <SPAN style="color:#8C3EE8;WIDTH:5.5in;MARGIN-LEFT:2.704in;FONT-SIZE: 14pt; COLOR:#19FFF6; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> In 2005 <i>Texas Instruments </i> began providing Digital Opto-electronics that address the problem of <A href="http://www.kennedyaudio.com/Compression.htm"> compressed</a> input.<BR> </span> <SPAN style="color:#8CF4f6;WIDTH:5.5in;MARGIN-LEFT:2.704in;FONT-SIZE: 14pt; COLOR:#8ccFfA; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> But because most stereo amplifiers feed into inductive crossover circuits and not speakers, HI-FI transducer mismatch <BR> </span> <SPAN style="color:#8CFEE8;WIDTH:5.5in;MARGIN-LEFT:2.704in;FONT-SIZE: 14pt; COLOR:#90FEC6; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> problems went unanswered. The frequent transducer repairs and speaker recones were ignored except for a few high <BR> </span> <SPAN style="color:#8CFEE8;WIDTH:5.5in;MARGIN-LEFT:2.704in;FONT-SIZE: 14pt; COLOR:#8CDEE8; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> priced firms that were researching impedance measurement profiling, farday ring damping and audio analytic audio analysis software. <BR> </span> </p> <TABLE cellSpacing=0 cellPadding=0 width="110%" bgColor=#9595ff> <TBODY> <TR> <TD vAlign="TOP"> <P style="FONT-SIZE: 12pt; MARGIN: 0pt 0px 0pt 0pt; FONT-FAMILY: Arial,sans-serif,'Georgia';MARGIN-LEFT:.45in"> <IMG height="173" width="210" alt="'Alfa Minor Mod JBL 2242h'" title="JBL 2242h" src="http://www.kennedyaudio.com/DSC00114.jpg" align="baseline" border=3></img> </a> </TD> <TD vAlign="TOP"> <IMG height="173" width="210" alt="'Alfa Minor Spacer Ring 2242h'" title="remanufactured JBL 18 inch woofer" src="http://www.kennedyaudio.com/DSC00111.jpg" align="baseline" border=3></img> </a> </td> </p> </TD> </TR> </TBODY> </TABLE> <TABLE cellSpacing=0 cellPadding=0 width="110%" bgColor=#9595ff> <TBODY> <TR> <TD vAlign="TOP"> <P style="FONT-SIZE: 12pt; MARGIN: 0pt 0px 0pt 0pt; FONT-FAMILY: Arial,sans-serif,'Georgia';MARGIN-LEFT:.45in"> <a href="http://www.kennedyaudio.com/bassamp.htm"> <IMG height="173" width="210" alt="'Alfa Minor Mod JBL 2242h'" title="Stock JBL 18 inch recone" src="http://www.kennedyaudio.com/DSC00112.jpg" align="baseline" border=3></img> </a> </TD> <TD vAlign="TOP"> <a href="http://www.kennedyaudio.com/bassamp.htm"> <IMG height="173" width="210" alt="'Alfa Minor Aftermarket Parts'" Title="Aftermarket speaker parts" src="http://www.kennedyaudio.com/DSC00119.jpg" align="baseline" border=3></img> </a> </td> </p> </TD> </TR> </TBODY> </TABLE> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -3.6in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:.45in"> <TR> <TD vAlign="CENTER"> <SPAN style="background-color:#9595ff;color:#8CFEE8;WIDTH:5.5in;MARGIN-LEFT:-.54in;FONT-SIZE: 14pt; COLOR:#90FEC6; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt;background-color:#grey"> &emsp;&emsp;&emsp;&emsp;&emsp;&emsp;&emsp;&emsp;&emsp;&emsp;&emsp;&emsp;&emsp;&emsp;&emsp;&emsp; <IMG height="455" width ="443" src = "http://www.kennedyaudio.com/NFEEDB2.GIF" border="1" align="center" alt="Op Amp Feedback #1"></img> <BR><BR></span> </span> <p class=MsoNormal > <SPAN style="COLOR:#8CFEE8;WIDTH:5.5in;MARGIN-LEFT:2.704in;FONT-SIZE: 14pt; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt;background-color:#grey"> </span></p> <p class=MsoNormal > <SPAN style="COLOR:#90F4F6;WIDTH:5.5in;MARGIN-LEFT:2.704in;FONT-SIZE: 14pt; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt;background-color:#grey"> Called frequency compensation in op-amps using bipolar output transistors and in MOS types resistive output. </span></p> <p class=MsoNormal > <SPAN style="WIDTH:5.5in;MARGIN-LEFT:2.704in;FONT-SIZE: 14pt; COLOR:#90F4f6; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt;background-color:#grey"> Because most input circuits are forced to be non-inverting even if the IC is designed for inverting operation, </span></p> <p class=MsoNormal > <SPAN style="COLOR:#8CFEE8;WIDTH:5.5in;MARGIN-LEFT:2.704in;FONT-SIZE: 14pt; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt;background-color:#grey"> the newer rail to rail op-amps are designed to be non-inverting so they can couple better with higher impedance </span></p> <p class=MsoNormal > <SPAN style="COLOR:#8CF4f6;WIDTH:5.5in;MARGIN-LEFT:2.704in;FONT-SIZE: 14pt; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt;background-color:#grey"> inputs like other pre-amps or small hand held units. <u>Dubbed Preamp Prunella</u> output by movie theater THX pundits. </span></p> <p class=MsoNormal > <SPAN style="COLOR:#8CFEE8;WIDTH:5.5in;MARGIN-LEFT:2.704in;FONT-SIZE: 14pt; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt;background-color:#grey"> Overcontrol of oscillation in your amplifier of an unknown slew rate, implies you need to upgrade your system to our universal one. </span></p> <p class=MsoNormal > <SPAN style="COLOR:#8CFEE8;WIDTH:5.5in;MARGIN-LEFT:2.704in;FONT-SIZE: 14pt; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt;background-color:#grey"> </span></p> <BR></p> </td> </tr> </p> </tbody></table> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.200in; PADDING-right: 0.0in;FONT-SIZE: 14pt; PADDING-BOTTOM: 0.0in; MARGIN-LEFT:-0.00in; PADDING-LEFT:0.00in;MARGIN-RIGHT:0.0in"> </p></span> </p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.0in; PADDING-right: 0.0in; PADDING-BOTTOM: 0.0in; MARGIN-LEFT:-0.00in; PADDING-LEFT:0.00in;MARGIN-RIGHT:0.0in"> <SPAN style="MARGIN-LEFT:1.01in;FONT-SIZE: 14pt; COLOR: #2F0ADE; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> Most people say they don't want digital audio. The HDMI and digital coax and digital optical are all for the manufacturer. The right to lock up the audio and video signal is then a technological advantage, as is longer distance multiple signal distribution. Age regressive designers still build old voltage amplifiers that must exactly match the speaker (1 usually) that is always built into the unit or sold as a seperate but usually attached as a front baffled driver unit. The reason is</span> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.245in; PADDING-right: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:3.3in; PADDING-LEFT:-0.0in;MARGIN-RIGHT:0.0in"> <SPAN style="background-color:yellow;MARGIN-LEFT:0.0in;MARGIN-TOP: 0.0in;FONT-SIZE: 14pt; COLOR: #832436; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> <a href=http://www.kennedyaudio.com/wattage.htm><FONT COLOR=BLACK> specification matching</a></span></p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.18in; PADDING-right: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:4.74in; PADDING-LEFT:-0.0in;MARGIN-RIGHT:0.0in"> <SPAN style="MARGIN-LEFT:0.07in;FONT-SIZE: 14pt; COLOR: #2f0aDE; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> When you can't put different components between other components, be sceptical. Art Deco is at one time both expensive and cost driven. </span></p><BR> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.83in; PADDING-right: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.0in; PADDING-LEFT:-0.0in;MARGIN-RIGHT:0.0in"> <SPAN style="MARGIN-LEFT:0.996in;FONT-SIZE: 14pt; COLOR: #8CFEE8; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> Most people say they don't want digital audio. The HDMI and digital coax and digital optical are all for the manufacturer. The right to lock up the audio and video signal is then a technological advantage, as is longer distance multiple signal distribution. Age regressive designers still build old voltage amplifiers that must exactly match the speaker (1 usually) that is always built into the unit or sold as a seperate but usually attached as a front baffled driver unit. The reason is</span> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.2in; PADDING-right: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:3.3in; PADDING-LEFT:-0.0in;MARGIN-RIGHT:0.0in"> <SPAN style="background-color:yellow;FONT-SIZE: 14pt; COLOR: #832436; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> <a href=http://www.kennedyaudio.com/wattage.htm><FONT COLOR=BLACK> specification matching</a></span></p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.2in; PADDING-right: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:4.74in; PADDING-LEFT:-0.0in;MARGIN-RIGHT:0.0in"> <SPAN style="MARGIN-LEFT:0.066in;FONT-SIZE: 14pt; COLOR: #8EFEE8; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> When you can't put different components between other components, be sceptical. Art Deco is at one time both expensive and cost driven. <BR></span></p> <SPAN style="MARGIN-LEFT:0.0in;MARGIN-TOP 0.0in;FONT-SIZE: 14pt; COLOR: #2F0ADE; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> The general art deco sound concept has its roots in maintaining originality and versatility and experimental thinking; reorganizing and substitutions. Boosting by OP-MP circuits is never deco pre-audio.</span></p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.4in; PADDING-right: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.01in; PADDING-LEFT:0.0in;MARGIN-RIGHT:0.0in"> <SPAN style="MARGIN-LEFT:0.0in;FONT-SIZE: 14pt; COLOR: #8EFEF4; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> The general art deco sound concept has its roots in maintaining originality and versatility and experimental thinking; reorganizing and substitutions. Boosting by OP-MP circuits is never deco pre-audio. <BR></span> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.0in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.0in"> <SPAN style="MARGIN-LEFT:0.0in;FONT-SIZE: 14pt; COLOR: #2f0aDE; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> Efficiency is ONLY GOOD when combined with ANOTHER GOOD. The good versus evil paradigm is endless. In many ways, digital reconstructive wave forms are like that. Regenerative feedback NOT negative feedback! </span></P> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.232in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:-0.01in"> <SPAN style="MARGIN-LEFT:0.0in;FONT-SIZE: 14pt; COLOR: #8CFEE8; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> Efficiency is ONLY GOOD when combined with ANOTHER GOOD. The good versus evil paradigm is endless. In many ways, digital reconstructive wave forms are like that. Regenerative feedback NOT negative feedback! </span></P> <BR> <SPAN style="MARGIN-LEFT:0.0in;FONT-SIZE: 14pt; COLOR: #2F7a93; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> The eye on top the pyramid is symbolic of the ancient evil counterpart to God's natural selection/deselection - the eye of Apophis, the message is - 'ir' is egyptian for eye, but it is very near the ear. </span> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.2in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:.00in"> <SPAN style="MARGIN-LEFT:0.02in;FONT-SIZE: 14pt; COLOR: #8CFEE8; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> The eye on top the pyramid is symbolic of the ancient evil counterpart to God's natural selection/deselection - the eye of Apophis, the message is 'ir' is egyptian for eye, but it is very near the ear. </span></P><BR> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.0in"> <SPAN style="MARGIN-LEFT:0.0in;FONT-SIZE: 14pt; COLOR: #2F5a99; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> As numeric symbols, 3 sides in ancient Egypt meant many because it is in a simple sense more than 2. His one eye stands in contrast to the many; in book of dead shown as 3 strokes through the serpant Apep+/-'his'. </span></P> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.2in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.02in"> <SPAN style="MARGIN-LEFT:0.0in;FONT-SIZE: 14pt; COLOR: #7CFEE9; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> As numeric symbols, 3 sides in ancient Egypt meant many because it is in a simple sense more than 2. His one eye stands in contrast to the many; in book of dead shown as 3 strokes through the serpant Apep+/-'his'. </span></P> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.0in"> <SPAN style="MARGIN-LEFT:0.0in;FONT-SIZE: 14pt; COLOR: #2F62De; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> A parted top symbolizes combining Art with Science (SA) and winning <i>BY </i> the natural selection - over the seductive lies of Apep the snake, that choices we make give voice to works through the light of history. </span></P> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.2in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.0in"> <SPAN style="MARGIN-LEFT:0.02in;FONT-SIZE: 14pt; COLOR: #8CFEE8; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> A parted top symbolizes combining Art with Science (SA) and winning <i>BY </i> the natural selection - over the seductive lies of Apep the snake, that choices we make give voice to works through the light of history. </span></P> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.0in"> <SPAN style="MARGIN-LEFT:0.0in;FONT-SIZE: 14pt; COLOR: #2F82De; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> The great light of history is maintained by the Eye Of Mehen, who, after the priests of Apophis are done saving one's soul asks with the help of the shape of a pyramid/triangle 'who will now save your mind?'. </span></P> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.2in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.0in"> <SPAN style="MARGIN-LEFT:0.02in;FONT-SIZE: 14pt; COLOR: #8CFEE8; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> The great light of history is maintained by the Eye Of Mehen, who, after the priests of Apophis are done saving one's soul asks with the help of the shape of a pyramid/triangle 'who will now save your mind?'. </span></P> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.0in"> <SPAN style="MARGIN-LEFT:0.0in;FONT-SIZE: 14pt; COLOR: #2F82De; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> The Rhind papyrus contains 87 math problems. #26- What number when added to a quarter of that quantity is 15? </span></P> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.2in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.0in"> <SPAN style="MARGIN-LEFT:0.02in;FONT-SIZE: 14pt; COLOR: #8CFEE8; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> The Rhind papyrus contains 87 math problems. #26- What number when added to a quarter of that quantity is 15? </span></P> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.0in"> <SPAN style="MARGIN-LEFT:0.0in;FONT-SIZE: 14pt; COLOR: #2F82De; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> 1+2+3+4+5=15 and 5 basic oscillations or forces were thought to rule nature, Quintessence was defined by both 5 pointed pyramids and 5 pointed stars. </span></P> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.2in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.0in"> <SPAN style="MARGIN-LEFT:0.02in;FONT-SIZE: 14pt; COLOR: #8CFEE8; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> 1+2+3+4+5=15 and 5 basic oscillations or forces were thought to rule nature, Quintessence was defined by both 5 pointed pyramids and 5 pointed stars. </span></P> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.0in"> <SPAN style="MARGIN-LEFT:0.0in;FONT-SIZE: 14pt; COLOR: #2F82De; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> 1+2+3...+9+10=55. Besides man's gait evolved from 5 bio-oscillators, Quintessence is energy with negative pressure sufficient to drive universal expansion. </span></P> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.2in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.0in"> <SPAN style="MARGIN-LEFT:0.02in;FONT-SIZE: 14pt; COLOR: #8CFEE8; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> 1+2+3...+9+10=55. Besides man's gait evolved from 5 bio-oscillators, Quintessence is energy with negative pressure sufficient to drive universal expansion. </span></P> <h1 align=CENTER> The abstract <script language="Javascript"> if (document.images) { image1 = new Image image2 = new Image image1.src = "http://www.kennedyaudio.com/EYE.JPG" image2.src = "http://www.kennedyaudio.com/AncientFresco.JPG" } </script> <script language="javascript" type="text/javascript"> function doRollover(elem, rollover_color, text_color){ // set background color of TD if (elem.parentNode){ // IE5, IE6 and Netscape 6 if (rollover_color == 'transparent'){ // Netscape does not like the word "transparent". elem.parentNode.bgColor = ''; } else{ elem.parentNode.bgColor=rollover_color; } } else if (elem.parentElement && elem.parentElement.setAttribute){ // IE4. elem.parentElement.setAttribute("bgColor", rollover_color); } else{ // Netscape 4.6x or 4.7x //alert("Must be Netscape! do nothing"); } // set color of the link text if (elem.children){ // IE4, IE5, IE6 and Netscape 6 elem.children(0).style.color=text_color; } } </script> <A onMouseOver="document.EYE.src='http://www.kennedyaudio.com/AncientFresco.JPG'", onMouseOut="document.EYE.src='http://www.kennedyaudio.com/AncientSketch.GIF'"> <img src="http://www.kennedyaudio.com/EYE.JPG" border=0 name="EYE" TITLE="Saving Spirit (KA-Mehen) from ancient wall fresco" ALT="Ancient Fresco Mehen Image" align="TOP" border=1>></img></a> <img width="286" height="229" alt="'Eye Of Mehen bass port calculation'" src="http://www.kennedyaudio.com/images/Mehen.gif" title="Eye Of Mehen Reactive Passive Radiator Image" border="6"></img> and The Sound Topology solution </h1> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -2.65in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:5.97in"> <object data="http://www.kennedyaudio.com/TReRad.svg" type="image/svg+xml" id="svg" width="296" height="260"> <img src="http://www.kennedyaudio.com/Mehen.gif" alt="toein"> </object> </p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -2.75in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:5.97in"> <object data="http://www.kennedyaudio.com/toein.svg" type="image/svg+xml" id="svg" width="296" height="260"> </object> </p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.2in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:1.0in"> <SPAN style="FONT-SIZE: 14pt; COLOR: black; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> You can't always hear the difference in audio work, contrary to popular belief. The phases can be shifted or the design fails to remixed properly for phase shifts. Most capacitors can shift phase up to 1/4 wavelength and you never hear it. Inductors can shift phases by twice as much. This gives a good designer great opportunity but is also the source of much frustation because the shifting changes with differnt voltage in as well as across the frequency band for each filter. This is where stereo biamp splitters differ from speaker crossover designs. Only by adding extras like expensive supercapacitor is it possible to reach really interesting design heights. </span> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -.85in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:1.0in"> <SPAN style="FONT-SIZE: 14pt;COLOR: #8CFEE8; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> You can't always hear the difference in audio work, contrary to popular belief. The phases can be shifted or the design fails to remixed properly for phase shifts. Most capacitors can shift phase up to 1/4 wavelength and you never hear it. Inductors can shift phases by twice as much. This gives a good designer great opportunity but is also the source of much frustation because the shifting changes with differnt voltage in as well as across the frequency band for each filter. This is where stereo biamp splitters differ from speaker crossover designs. Only by adding extras like expensive supercapacitor is it possible to reach really interesting design heights. </span> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.2in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:1.0in"> <SPAN style="background-color:#grey;FONT-SIZE: 14pt; COLOR: #2f0aDE; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> For those just buying into Blu-Ray home theater, you can save money on <A href="http://www.kennedyaudio.com/doldoc.htm" rel="nofollow">dolby decoding</a> because the new blu-ray systems actually decode all sound and have outputs for left rear, right rear, front center and front left / right and newer 7.1 rear center All you have to do is select PCM audio mode from setup. If bitstream is used, the sound is re-encoded for output to obsolete decoders. The Kennedy Audio Compression Flux Capacitor stereo bi-amping spiltter (CFC) is the best choice - Stereo improves but you still get DTS, THX, Pro-logic, Pro-logic Plus Digital Dolby or TrueHD and 7.1 surround as on Samsung the BD-P1500 (but only PCM front right and left output on the BD-P1000) </span></p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.845in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:1.0in"> <SPAN style="background-color:#grey;FONT-SIZE: 14pt; COLOR: #8CFEE8; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> For those just buying into Blu-Ray home theater, you can save money on <A href="http://www.kennedyaudio.com/doldoc.htm">dolby decoding</a> because the new blu-ray systems actually decode all sound and have outputs for left rear, right rear, front center and front left / right and newer 7.1 rear center All you have to do is select PCM audio mode from setup. If bitstream is used, the sound is re-encoded for output to obsolete decoders. The Kennedy Audio Compression Flux Capacitor stereo bi-amping spiltter (CFC) is the best choice - Stereo improves but you still get DTS, THX, Pro-logic, Pro-logic Plus Digital Dolby or TrueHD and 7.1 surround as on Samsung the BD-P1500 (but only PCM front right and left output on the BD-P1000) <BR></span></p><BR> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.0in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.00in"> <SPAN style="background-color:#grey;MARGIN-LEFT:1.0in;FONT-SIZE: 14pt; COLOR:#2f0ade; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> The Panasonic BD-30 series (except newer BD-35) did not offer any decoded output for those without HDMI or decoding but the newer BD-50 /BD-55 does. The DMP-BD55 models are designed to allow all types of decoded output going to either integrated stereo or to HDMI (TV) devices. You have to take it with a grain of salt when you read reviews that say 'However, you will almost certainly get better bass management if you use the bitstream. Reviewes are not considering extra-japanese bi-amplifiaction using the Kennedy 500 amp and our non-symetrically ported JBL 106dB bass enclosures and CFC technology. Management of a stereo system integrated into TV is easier without decoding, just keep all settings the same all the time using Kennnedy Audio CFC technology. <BR></span><BR> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.0in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.00in;MARGIN-TOP:-1.07in"> <SPAN style="background-color:#grey;MARGIN-LEFT:1.01in;FONT-SIZE: 14pt; COLOR:#8cfee8; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> The Panasonic BD-30 series (except newer BD-35) did not offer any decoded output for those without HDMI or decoding but the newer BD-50 /BD-55 does. The DMP-BD55 models are designed to allow all types of decoded output going to either integrated stereo or to HDMI (TV) devices. You have to take it with a grain of salt when you read reviews that say 'However, you will almost certainly get better bass management if you use the bitstream. Reviewes are not considering extra-japanese bi-amplifiaction using the Kennedy 500 amp and our non-symetrically ported JBL 106dB bass enclosures and CFC technology. Management of a stereo system integrated into TV is easier without decoding, just keep all settings the same all the time using Kennnedy Audio CFC technology. <BR></span></p> <BR> <SPAN style="background-color:#grey;MARGIN-LEFT:1.2in;FONT-SIZE: 14pt; COLOR: #832436; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> <b>The prices paid for the audio features average more for old tubes with less power unless you shop well. </b></span> <P class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt;FONT-SIZE: 13pt; MARGIN-TOP: -0.0in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 1.01in; BORDER-LEFT: medium none; PADDING-TOP: 0in; BORDER-BOTTOM: medium none; mso-border-alt: solid windowtext -1.0pt; mso-padding-alt: .0pt 0.in .0pt .0pt;LEFT: 1.02in; WIDTH: 3.75in; POSITION: absolute; HEIGHT: 14pt"></p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -.20in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.22in"> <SPAN style="background-color:#grey;MARGIN-LEFT:1.0in;FONT-SIZE: 14pt; COLOR: white; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> <b>The prices paid for the audio features average more for old tubes with less power unless you shop well. </b></span><br> <SPAN style="background-color:#CDDD36;MARGIN-LEFT:1.0in;FONT-SIZE: 14pt; COLOR: #832436; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> Since you will <i>never be wanting to use unmodified older technology, </i>we saves you $$$ plus time related costs.<BR> </span> <SPAN style="background-color:#grey;MARGIN-LEFT:1.0in;FONT-SIZE: 14pt; COLOR: #832436; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 14.0pt"> The <b>savings</b> makes $1300 for a professional American heartland made audio amp and speaker interfaces or<a href="http://www.kennedyaudio.com/cotypes.htm"> crossover </a>a deal. </span></p> <P class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt;FONT-SIZE: 13pt; MARGIN-TOP: -0.0in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 1.01in; BORDER-LEFT: medium none; PADDING-TOP: 0in; BORDER-BOTTOM: medium none; mso-border-alt: solid windowtext -1.0pt; mso-padding-alt: .0pt 0.in .0pt .0pt;LEFT: 1.02in; WIDTH: 3.75in; POSITION: absolute; HEIGHT: 14pt"></p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -.20in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.22in"> <SPAN style="background-color:#grey;MARGIN-LEFT:1.0in;FONT-SIZE: 14pt; COLOR: white; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> The <b>savings</b> makes $1300 for a professional American heartland made audio amp and speaker interfaces or<a href="http://www.kennedyaudio.com/cotypes.htm"> crossover </a>a deal. </span></p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.0in;MARGIN-LEFT:1in"> <SPAN style="background-color:#grey;MARGIN-LEFT:0.00in;FONT-SIZE: 12pt; COLOR: #62857; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> When you consider that there are fewer components that are expensive to repair and it lasts a lifetime, it looks even better yet. Today, we have much larger cone excursions, a wider range of magnet materials and heavy duty speaker sensitivity and voice coil types, suspension methods, heat controls and that's not to even begin to explore analog power enhancements, mods and bi-amping abilities and soundstage reliability and obselescence issues. Many audiophiles say that digital & andigital music media does not sound as good as a biamped analog tuner. We are the worlds only builder of amplifiers and tradecraft speakers that are computer designed for as an optimal investment. We use mainly inline TANTALUM surface mount capacitors or electrolytic tantalums (supercapacitors) with a few exceptions intended to bring out better discharge of voltage and current simultaniously as with our amplifiers Normal discharge rates which are much faster than charge rates for polarized capacitors. Bipolars Electrolytics help manage the charge rates of tantalums. They allow us to add just enough even harmonics making our filters small in size yet create a harmonic equalizer superior to CD digital, MP3 or vintage Class A audio alone. Solid tantalums have low impedance at high frequencies, which others do not. It takes 20uf in an aluminum to match each 1uf tantalum. </p></span> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -1.06in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:1.0096in"> <SPAN style="background-color:#grey;MARGIN-LEFT:0.0in;FONT-SIZE: 12pt; COLOR: #bdCDaF; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> When you consider that there are fewer components that are expensive to repair and it lasts a lifetime, it looks even better yet. Today, we have much larger cone excursions, a wider range of magnet materials and heavy duty speaker sensitivity and voice coil types, suspension methods, heat controls and that's not to even begin to explore analog power enhancements, mods and bi-amping abilities and soundstage reliability and obselescence issues. Many audiophiles say that digital & andigital music media does not sound as good as a biamped analog tuner. We are the worlds only builder of amplifiers and tradecraft speakers that are computer designed for as an optimal investment. We use mainly inline TANTALUM surface mount capacitors or electrolytic tantalums (supercapacitors) with a few exceptions intended to bring out better discharge of voltage and current simultaniously as with our amplifiers Normal discharge rates which are much faster than charge rates for polarized capacitors. Bipolars Electrolytics help manage the charge rates of tantalums. They allow us to add just enough even harmonics making our filters small in size yet create a harmonic equalizer superior to CD digital, MP3 or vintage Class A audio alone. Solid tantalums have low impedance at high frequencies, which others do not. It takes 20uf in an aluminum to match each 1uf tantalum. </p></span> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.00in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.0in"></p><BR><BR><BR><BR><BR> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.52in;MARGIN-LEFT:1in"> <SPAN style="background-color:#grey;MARGIN-LEFT:0.23in;FONT-SIZE: 13pt; COLOR: orange; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> Our technology allows us to recone JBL speakers in 18, 15, 12 and soon 10 inch sized with 106 dB at 1 watt 1 meter. This is an improvement over any classic JBL speaker sensitivity of 10 to 20 dB approximately, it allows a wider range of amp powers. Although not shown on the price list, we would ask $58 labor to recone a 15 inch JBL to 106 dB voiceing. Discounts are available for multi-purchasers. We use 1 dB = 20 MicroPascals </span></p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.355in;MARGIN-LEFT:0.997in"> <SPAN style="background-color:#grey;MARGIN-LEFT:0.228in;FONT-SIZE: 13pt; COLOR: #666572; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> Our technology allows us to recone JBL speakers in 18, 15, 12 and soon 10 inch sized with 106 dB at 1 watt 1 meter. This is an improvement over any classic JBL speaker sensitivity of 10 to 20 dB approximately, it allows a wider range of amp powers. Although not shown on the price list, we would ask $58 labor to recone a 15 inch JBL to 106 dB voiceing. Discounts are available for multi-purchasers. We use 1 dB = 20 MicroPascals <br></span></p> <BR> <SPAN style="background-color:yellow;MARGIN-LEFT:.5in;FONT-SIZE: 12pt; COLOR: Purple; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> <FONT color=purple> </a></span> <SPAN style="background-color:yellow;MARGIN-LEFT:.0in;FONT-SIZE: 12pt; COLOR: #832436; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> <FONT color=purple> </span> <SPAN style="background-color:yellow;MARGIN-LEFT:.0in;FONT-SIZE: 12pt; COLOR: #832436; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> <FONT color=black></a></span><br></style> </span> <br> <SPAN style="background-color:#grey;MARGIN-LEFT:1in;FONT-SIZE: 12pt; COLOR: #832436; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> The truth about capacitors is that electrolytics were developed as rectifiers. They are not audio quality these days if they ever were.</span> <br></style> <SPAN style="background-color:#grey;MARGIN-LEFT:1in;FONT-SIZE: 12pt; COLOR: #832436; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> A capacitor at 10 volts input may ouput 30 volts, thus it restores the voltages or poor signals but higher voltages always increase THD metrics.</span> <BR></style> <P class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt;FONT-SIZE: 13pt; MARGIN-TOP: -0.0in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 1.01in; BORDER-LEFT: medium none; PADDING-TOP: 0in; BORDER-BOTTOM: medium none; mso-border-alt: solid windowtext -1.0pt; mso-padding-alt: .0pt 0.in .0pt .0pt;LEFT: 1.02in; WIDTH: 3.75in; POSITION: absolute; HEIGHT: 12pt"></p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.39in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:-0.01in"> <SPAN style="background-color:#grey;MARGIN-LEFT:1in;FONT-SIZE: 12pt; COLOR: white; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> The truth about capacitors is that electrolytics were developed as rectifiers. They are not audio quality these days if they ever were.</span> <br></style> <SPAN style="background-color:#grey;MARGIN-LEFT:1in;FONT-SIZE: 12pt; COLOR: white; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> A capacitor at 10 volts input may ouput 30 volts, thus it restores the voltages or poor signals but higher voltages always increase THD metrics.</span> <br></style> <BR> </span> <SPAN style="background-color:#grey;MARGIN-LEFT:.0in;FONT-SIZE: 12pt; COLOR: #832436; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> <FONT color=black><a></a></style> </span> <SPAN style="background-color:#grey;MARGIN-LEFT:1in;FONT-SIZE: 12pt; COLOR: #832436; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> Quoting an expert source on this subject : Electrolytic capacitors, known for their relatively high capacitance and low working voltage, </span><br> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.16in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:-.02in"> <SPAN style="background-color:#grey;MARGIN-LEFT:1in;FONT-SIZE: 12pt; COLOR: white; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> Quoting an expert source on this subject : Electrolytic capacitors, known for their relatively high capacitance and low working voltage, </span></p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.0in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:-.02in"> <SPAN style="background-color:#grey;MARGIN-LEFT:1in;FONT-SIZE: 12pt; COLOR: #832436; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> are also known for their notorious lossiness, due to both the characteristics of the microscopically thin dielectric film and the electrolyte paste. </span></p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.2in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:-0.02in"> <SPAN style="background-color:#grey;MARGIN-LEFT:1.0in;FONT-SIZE: 12pt; COLOR: white; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> are also known for their notorious lossiness, due to both the characteristics of the microscopically thin dielectric film and the electrolyte paste. </span></p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.0in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:-0.0in"> <SPAN style="background-color:#grey;MARGIN-LEFT:1.0in;FONT-SIZE: 12pt; COLOR: #832436; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> Unless specially made for AC service, electrolytic capacitors should never be used with AC unless it is mixed (biased) with a constant DC voltage, </span></p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.2in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.0in"> <SPAN style="background-color:#grey;MARGIN-LEFT:1in;FONT-SIZE: 12pt; COLOR: white; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> Unless specially made for AC service, electrolytic capacitors should never be used with AC unless it is mixed (biased) with a constant DC voltage, </span></p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.03in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.0in"> <SPAN style="Margin-Top: -.2in;background-color:#grey;MARGIN-LEFT:1in;FONT-SIZE: 12pt; COLOR: #832436; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> preventing the capacitor from ever being subjected to reverse voltage. Even then, their resistive characteristics may be too severe a shortcoming </span></p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.2in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.015in"> <SPAN style="background-color:#grey;MARGIN-LEFT:1in;FONT-SIZE: 12pt; COLOR: white; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> preventing the capacitor from ever being subjected to reverse voltage. Even then, their resistive characteristics may be too severe a shortcoming </span></p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.0in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.0in"> <SPAN style="background-color:#grey;MARGIN-LEFT:1in;FONT-SIZE: 12pt; COLOR: #832436; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> for the application anyway. End.Quote:refers to all but non-polarized electrolytics- very expensive and crude. An old audio cult holdover technology. </span></p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.2in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:-0.015in"> <SPAN style="background-color:#grey;MARGIN-LEFT:1in;FONT-SIZE: 12pt; COLOR: white; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> for the application anyway. End.Quote:refers to all but non-polarized electrolytics- very expensive and crude. An old audio cult holdover technology. </span><br></p></p> <SPAN style="background-color:#grey;MARGIN-LEFT:1in;FONT-SIZE: 12pt; COLOR: #832436; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> So, you see, the audio SQ industry is awash in aging design and counter cult disinformation. Capacitors dielectric material choice is only one example. </span> <P class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt;FONT-SIZE: 13pt; MARGIN-TOP: -0.0in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 1.01in; BORDER-LEFT: medium none; PADDING-TOP: 0in; BORDER-BOTTOM: medium none; mso-border-alt: solid windowtext -1.0pt; mso-padding-alt: .0pt 0.in .0pt .0pt;LEFT: 1.02in; WIDTH: 3.75in; POSITION: absolute; HEIGHT: 12pt"></p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.16in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:-0.02in"> <SPAN style="background-color:#grey;MARGIN-LEFT:1in;FONT-SIZE: 12pt; COLOR: white; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> So, you see, the audio SQ industry is awash in aging design and counter cult disinformation. Capacitors dielectric material choice is only one example. </p></span> <BR> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.1in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:1.02in"> <SPAN style="background-color:#grey;MARGIN-LEFT:0.0in;FONT-SIZE: 12pt; COLOR: #832436; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> Buying amplifiers comes with little assurances that vintage components won't 'blow out' lO SQ HI SPL speakers, but we only sell what we MAKE - POWERFUL PRO speakers! </span></p> <P class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt;FONT-SIZE: 13pt; MARGIN-TOP: -0.0in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 1.01in; BORDER-LEFT: medium none; PADDING-TOP: 0in; BORDER-BOTTOM: medium none; mso-border-alt: solid windowtext -1.0pt; mso-padding-alt: .0pt 0.in .0pt .0pt;LEFT: 1.02in; WIDTH: 3.75in; POSITION: absolute; HEIGHT: 12pt"></p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.2in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0in"> <SPAN style="background-color:#grey;MARGIN-LEFT:1in;FONT-SIZE: 12pt; COLOR: white; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> Buying amplifiers comes with little assurances that vintage components won't 'blow out' lO SQ HI SPL speakers, but we only sell what we MAKE - POWERFUL PRO speakers! </p></span><BR> <SPAN style="background-color:#grey;MARGIN-LEFT:1.0in;FONT-SIZE: 12pt; COLOR: #832436; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> We do power a wide range of audio High SQ speakers or crossover impedances that won't blow out our power amplifiers. </span><BR> <P class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt;FONT-SIZE: 13pt; MARGIN-TOP: -0.0in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 1.01in; BORDER-LEFT: medium none; PADDING-TOP: 0in; BORDER-BOTTOM: medium none; mso-border-alt: solid windowtext -1.0pt; mso-padding-alt: .0pt 0.in .0pt .0pt;LEFT: 1.02in; WIDTH: 3.75in; POSITION: absolute; HEIGHT: 12pt"></p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.16in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:-0.02in"> <SPAN style="background-color:#grey;MARGIN-LEFT:1.0in;FONT-SIZE: 12pt; COLOR: white; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> We do power a wide range of audio High SQ speakers or crossover impedances that won't blow out our power amplifiers. </p></span> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.00in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in "> <SPAN style="background-color:#grey;MARGIN-LEFT:1.01in;FONT-SIZE: 12pt; COLOR: #832436; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> We have no inventory because we also match the desires and new tech interests in so many ways. </span></p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.16in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in "> <SPAN style="background-color:#grey;MARGIN-LEFT:0.99in;FONT-SIZE: 12pt; COLOR: #FFFFFF; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> We have no inventory because we also match the desires and new tech interests in so many ways. </p></span> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.0in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in "> <SPAN style="background-color:#grey;MARGIN-LEFT:1.01in;FONT-SIZE: 12pt; COLOR: #832436; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> What we sell just makes more sense in a more complex world, even if it takes more time spent soldering. </span></p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.16in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:-0.02in"> <SPAN style="background-color:#grey;MARGIN-LEFT:1.0in;FONT-SIZE: 12pt; COLOR: white; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> What we sell just makes more sense in a more complex world, even if it takes more time spent soldering. </span></p> <SPAN style="background-color:#grey;MARGIN-LEFT:1.01in;FONT-SIZE: 12pt; COLOR: #832436; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> So, call me on my cell phone at 920-850-0920 and I will take your credit card, or fill out the order form. </span> <P class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt;FONT-SIZE: 13pt; MARGIN-TOP: -0.0in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 1.01in; BORDER-LEFT: medium none; PADDING-TOP: 0in; BORDER-BOTTOM: medium none; mso-border-alt: solid windowtext -1.0pt; mso-padding-alt: .0pt 0.in .0pt .0pt;LEFT: 1.02in; WIDTH: 3.75in; POSITION: absolute; HEIGHT: 12pt"></p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.16in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:-0.02in"> <SPAN style="background-color:#grey;MARGIN-LEFT:1.0in;FONT-SIZE: 12pt; COLOR: white; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> So, call me on my cell phone at 920-850-0920 and I will take your credit card, or fill out the order form. </p></span> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.0in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in "> <SPAN style="background-color:#grey;MARGIN-LEFT:1.01in;FONT-SIZE: 12pt; COLOR: #832436; FONT-FAMILY:'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> I will then talk with Kennedy about your existing audio SQ or distributed sub-systems components and get a proposal. </span></p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.16in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:-0.02in"> <SPAN style="background-color:#grey;MARGIN-LEFT:1.0in;FONT-SIZE: 12pt; COLOR: white; FONT-FAMILY:'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> I will then talk with Kennedy about your existing audio SQ or distributed sub-systems components and get a proposal. </p></span> <BR> <SPAN style="background-color:#grey;MARGIN-LEFT:1in;FONT-SIZE: 12pt; COLOR: #832436; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> All the jargon in the industry does not help anyone buy audio SQ equipment. Speaker sensitivity is written about on the web as if it inverted power handling ability. No such direct comparison is a fair one and reduced power is not a design feature. Sure, sensitivity gives loudness for one watt voltage drop, but that's not mentioned as relative to power handling or 'breakup'. A high power speaker draws more current and drops less voltage, reflecting the improvement in controlability. At some volume it '/breaks up'/. Higher power handling speakers also reach one watt energization at high wattages by finer incremental responses. Because speakers are rated for sensitivity at their rated power handling, just comparing sensitivities ad-hoc could give a false reader's impression of the characteristics of the speaker as well as the amplification system used or broadness of range. This is not directly efficiency, power or sound quality or distortion, just different impedance relative wattage numbers. A high wattage speaker still plays softly if its source is a lower power amplifier. Sadly, stereo system designs for amplifiers have oversold their versatility by 'overpowering' the narrow dynamic range speakers they interface to. The sensation that turning the volume knob easily controls audio levels noxiously obscures the real hidden design issues. A big part of audio quality is allowing the listener to go longer hours without fatigue; eliminating unhealthy resonances. This requires a wide range of distinct loudnesses from a single speaker without speaker ringing, pops or internal and external acoustic resonances and nearby frequency domination of tonaly and texturally different instrumental sounds. </p> <br> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -1.58in; PADDING-LEFT: 0.0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.01in"> <SPAN style="background-color:#grey;MARGIN-LEFT:1in;FONT-SIZE: 12pt; COLOR: white; FONT-FAMILY: 'Haettenschweiler'; mso-bidi-font-size: 12.0pt"> All the jargon in the industry does not help anyone buy audio SQ equipment. Speaker sensitivity is written about on the web as if it inverted power handling ability. No such direct comparison is a fair one and reduced power is not a design feature. Sure, sensitivity gives loudness for one watt voltage drop, but that's not mentioned as relative to power handling or 'breakup'. A high power speaker draws more current and drops less voltage, reflecting the improvement in controlability. At some volume it '/breaks up'/. Higher power handling speakers also reach one watt energization at high wattages by finer incremental responses. Because speakers are rated for sensitivity at their rated power handling, just comparing sensitivities ad-hoc could give a false reader's impression of the characteristics of the speaker as well as the amplification system used or broadness of range. This is not directly efficiency, power or sound quality or distortion, just different impedance relative wattage numbers. A high wattage speaker still plays softly if its source is a lower power amplifier. Sadly, stereo system designs for amplifiers have oversold their versatility by 'overpowering' the narrow dynamic range speakers they interface to. The sensation that turning the volume knob easily controls audio levels noxiously obscures the real hidden design issues. A big part of audio quality is allowing the listener to go longer hours without fatigue; eliminating unhealthy resonances. This requires a wide range of distinct loudnesses from a single speaker without speaker ringing, pops or internal and external acoustic resonances and nearby frequency domination of tonaly and texturally different instrumental sounds. </span> </p> <br> </p> <P class=MsoNormal style="MARGIN-TOP: 0in; MARGIN-LEFT: 2.5in; mso-outline-level: 1"> <A onmouseover='return msover("mover1", src="http://www.kennedyaudio.com/DELREY2.gif")' href="index.htm" rel="nofollow"><IMG height="460" src="http://www.kennedyaudio.com/DELREY1.PNG" width="576" alt="'animated bartender'" name=mover1 img></img></A> <BR> </p> <BR> <P class=MsoNormal style="MARGIN-TOP: -4.85in; MARGIN-LEFT: 2.5in; mso-outline-level: 1"> <A onmouseout='return msout("mover1", src="http://www.kennedyaudio.com/dadelsqz2.gif")' href="http://www.kennedyaudio.com/korder.htm"><IMG height="460" width="576" src="dadelsqz2.gif" width="717" name=mover2 img></img></A> </p> <P class=MsoNormal style="MARGIN-LEFT: 0.5in;MARGIN-TOP: 0.23in; mso-outline-level: 1"> <TABLE borderColor=#grey width=26% border=0 align='center' > <TBODY> <TR> <TD><FONT face="Arial, Helvetica, sans-serif" size=2> Click a page to read OR </TD></tr></tbody></table> <TABLE borderColor=#grey width=26% border=0 align='center' > <TBODY><TR> <TD height=30><FONT face="Arial, Helvetica, sans-serif" size=2><B>Visit again - our site updates! </B></FONT></TD></TR></span> </TBODY></TABLE> </p> <P class=MsoNormal style="MARGIN-TOP: -0.09in; MARGIN-LEFT: 3.0in; mso-outline-level: 1"> <TABLE borderColor=#grey cellSpacing=0 cellPadding=0 width="53%" align='LEFT' border=0 HSPACE="10" VSPACE="10"> <TBODY> <TR> <TD> <P class=MsoNormal style="MARGIN-TOP: -0.00in; MARGIN-LEFT: 0.5in; mso-outline-level: 1"> <A link rel="canonical" onmouseover="ddrivetip('You are here (/index)','ghostwhite', 300)" onmouseout=hideddrivetip() href="http://www.kennedyaudio.com/index.htm" ;><FONT color=#9595 size=7><B>Page :</o:p></B> </A> <FONT color=#9595 size=6><B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<o:p></o:p>1</B></FONT> <A link rel="canonical" onmouseover="ddrivetip('Open up 2nd browser allowing loadtime.... The Kennedy Bass Amplifier Model 500: Click on the bartender to stay in this browser: (/bassamp)','ghostwhite', 300)" onclick="return opensecond()" onmouseout=hideddrivetip() href=http://www.kennedyaudio.com/bassamp.htm ;><FONT color=#6868 size=6><B>&nbsp;<o:p></o:p>2</A> </B></FONT> <A link rel="canonical" onmouseover="ddrivetip('Avoid Duplicated links (/sitemap)','ghostwhite', 300)" onmouseout=hideddrivetip() href=http://www.kennedyaudio.com/mastersitemap.htm ;";><FONT color=#6868 size=6><B>&nbsp;<o:p></o:p>3</A> </B></FONT> <A link rel="canonical" onmouseover="ddrivetip('Solid State Amplifiers and Tube Based Systems Compared: (/cansolid)','ghostwhite', 300)" onmouseout=hideddrivetip() href=http://www.kennedyaudio.com/cansolid.htm ;><FONT color=#6868 size=6><B>&nbsp;<o:p></o:p>4</A> </B></FONT> <A link rel="canonical" onmouseover="ddrivetip('General Acoustic Concerns and Configuration Methods and Stereo Systems Compared and Contrasted: (/acoustic)','ghostwhite', 300)" onmouseout=hideddrivetip() href=http://www.kennedyaudio.com/acoustic.htm ;><FONT color=#6868 size=6><B>&nbsp;<o:p></o:p>5</A> </B></FONT><A link rel="canonical" onmouseover="ddrivetip('The Common Amplifier Types Discussed: (/Amplifiers)','ghostwhite', 300)" onmouseout=hideddrivetip() href=http://www.kennedyaudio.com/Amplifiers.htm ;><FONT color=#6868 size=6><B>&nbsp;<o:p></o:p>6</A> </B></FONT><A link rel="canonical" onmouseover="ddrivetip('Our Wattage is Custom : (/wattage) ','ghostwhite', 300)" onmouseout=hideddrivetip() href=http://www.kennedyaudio.com/wattage.htm ;><FONT color=#6868 size=6><B>&nbsp;<o:p></o:p>7</A> </B></FONT> <A link rel="canonical" onmouseover="ddrivetip('Sound Reinforcement CFC has an alternative crossover calculator for audiophiles (/COcalc) ','ghostwhite', 300)" onmouseout=hideddrivetip() href="http://www.kennedyaudio.com/COcalc.htm" ;><FONT color=#6868 size=6><B>&nbsp;<o:p></o:p>8</A> </B></FONT> <A link rel="canonical" onmouseover="ddrivetip('AAHRAY features VERY Difficult to manufacture Custom Designs. (/why) ','ghostwhite', 300)" onmouseout=hideddrivetip() href="http://www.kennedyaudio.com/why.htm" ;><FONT color=#6868 size=6><B>&nbsp;<o:p></o:p>9</A> </B></FONT> <A onmouseover="ddrivetip('Highly reliable Preamplifier with built-in components. (/preamp) ','ghostwhite', 300)" onmouseout=hideddrivetip() href="http://www.kennedyaudio.com/preamp.htm" ;><FONT color=#6868 size=6><B>&nbsp;<o:p></o:p>10</A> </B></FONT> <A onmouseover="ddrivetip('London made cones and reliable components. (/korder) ','ghostwhite', 300)" onmouseout=hideddrivetip() href="http://www.kennedyaudio.com/korder.htm" ;><FONT color=#6868 size=6><B>&nbsp;<o:p></o:p>11</A> </B></FONT> </A> </B></FONT> </TR></TBODY></TABLE> <P class=MsoNormal style="MARGIN-LEFT: 0.5in;MARGIN-TOP: 0.8in; mso-outline-level: 1"> <TABLE borderColor=#grey cellSpacing=0 cellPadding=0 width="43%" align='LEFT' border=0 HSPACE="10" VSPACE="10"> <TBODY> <TR><TD> <SPAN style="FONT-SIZE: 20pt; COLOR: red; FONT-FAMILY: 'Agate-Bold'; mso-bidi-font-size: 20.0pt"><I>Killer </I> </span> <SPAN style="FONT-SIZE: 16pt; COLOR: red; FONT-FAMILY: 'Agate-Bold'; mso-bidi-font-size: 20.0pt"> <U>custom high wattage amplifier</U> </span> <SPAN style="FONT-SIZE: 20pt; COLOR: azure; FONT-FAMILY: 'Book Antiqua'; mso-bidi-font-size: 20.0pt;MARGIN-LEFT: 0.05in;"><B><I>sound</I></SPAN> </SPAN></span> </p> </TD> </TR> </tbody> </table></p> </p> <P class=MsoNormal style="TEXT-ALIGN: "left" align=left> <P class=MsoNormal style="Margin-TOP:0.95in;MARGIN-LEFT:0in "> <span style="background-color:#444933"> <SPAN style="FONT-SIZE: 12pt; COLOR: yellow; FONT-FAMILY: Agate-Bold; mso-bidi-font-size: 14.0pt"> <U><B>Kennedyaudio</B> internet sales - sole public notice of the following:<o:p></o:p><BR> </SPAN></U> <br> </span></p> </p> <P class=MsoNormal style="TEXT-ALIGN: "left" align=left> <P class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.21in; PADDING-LEFT: -0.03in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 0.869in; BORDER-LEFT: 0pt; PADDING-TOP: 0in; BORDER-BOTTOM: 0pt; mso-border-alt: solid windowtext .5pt; mso-padding-alt:.0pt 0.in .0pt .0pt;LEFT: 1.0in; WIDTH: 8in; POSITION: absolute; HEIGHT: 12pt"> <SPAN style="ALIGN=left; FONT-SIZE: 16pt; COLOR: brown; FONT-FAMILY: 'Haettenschweiller'; mso-bidi-font-size: 12.0pt"> Touching live leads left over right handed with current and voltage drive</SPAN> </p> <P class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.21in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 0.887in; BORDER-LEFT: 0pt; PADDING-TOP: 0in; BORDER-BOTTOM: 0pt; mso-border-alt: solid windowtext .5pt; mso-padding-alt:.0pt 0.in .0pt .0pt;LEFT: 1.02in; WIDTH: 8in; POSITION: absolute; HEIGHT: 12pt"> <SPAN style="FONT-SIZE: 16pt; COLOR: brown; FONT-FAMILY: 'Haettenschweiller'; mso-bidi-font-size: 12.0pt"> circuit technology has a ten times greater chance of death than wrongly<o:p></o:p></SPAN> <P class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.24in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 4.0in; BORDER-LEFT: 0pt; PADDING-TOP: 0in; BORDER-BOTTOM: 0pt; mso-border-alt: solid windowtext .5pt; mso-padding-alt: .0pt 0.in .0pt .0pt;LEFT: 1.02in; WIDTH: 8in; POSITION: absolute; HEIGHT: 12pt"> <P class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.41in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 0.869in; BORDER-LEFT: 0pt; PADDING-TOP: 0in; BORDER-BOTTOM: 0pt; mso-border-alt: solid windowtext .5pt; mso-padding-alt:.0pt 0.in .0pt .0pt;LEFT: 1.02in; WIDTH: 8in; POSITION: absolute; HEIGHT: 12pt"> <SPAN style="FONT-SIZE: 16pt; COLOR: brown; FONT-FAMILY: 'Haettenschweiller'; mso-bidi-font-size: 12.0pt"> contacting other types of high wattage amplifiers or drive line terminals.<o:p></o:p> </span> </p> <P class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.2in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: -2.02in; BORDER-LEFT: 0pt; PADDING-TOP: 0in; BORDER-BOTTOM: 0pt; mso-border-alt: solid windowtext -1.0pt; mso-padding-alt: .0pt 0.in .0pt .0pt;LEFT: 1.02in; WIDTH: 8in; POSITION: absolute; HEIGHT: 12pt"> <P class=MsoNormal style="TEXT-ALIGN: "left" align=left> <P class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.2in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 0.88in; BORDER-LEFT: 0pt; PADDING-TOP: 0in; BORDER-BOTTOM: 0pt; mso-border-alt: solid windowtext .5pt; mso-padding-alt:.0pt 0.in .0pt .0pt;LEFT: 1.02in; WIDTH: 8in; POSITION: absolute; HEIGHT: 12pt"> <SPAN style="FONT-SIZE: 16pt; COLOR: gold; FONT-FAMILY: 'Haettenschweiller'; mso-bidi-font-size: 12.0pt"> Touching live leads left over right handed with current and voltage drive <P class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.194in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 1.923in; BORDER-LEFT: 0pt; PADDING-TOP: 0in; BORDER-BOTTOM: 0pt; mso-border-alt: solid windowtext .5pt; mso-padding-alt: .0pt 0.in 0.0pt 0.0pt;LEFT: 0.00in; WIDTH: 8in; POSITION: absolute; HEIGHT: 12pt"> <SPAN style="FONT-SIZE: 16pt; COLOR: gold; FONT-FAMILY: 'Haettenschweiller'; mso-bidi-font-size: 12.0pt"> circuit technology has a ten times greater chance of death than wrongly<o:p></o:p></SPAN> <P class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.393in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 1.913in; BORDER-LEFT: 0pt; PADDING-TOP: 0in; BORDER-BOTTOM: 0pt; mso-border-alt: solid windowtext .5pt; mso-padding-alt: .0pt 0.in 0.0pt 0.0pt;LEFT: 0.0in; WIDTH: 8in; POSITION: absolute; HEIGHT: 12pt""> <SPAN style="FONT-SIZE: 16pt; COLOR: gold; FONT-FAMILY: 'Haettenschweiller'; mso-bidi-font-size: 12.0pt"> contacting other types of high wattage amplifiers or drive line terminals.<o:p></o:p> </SPAN></P> <P></P></P><BR> </span> <BR><BR><BR> <P class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.293in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 0.4in; BORDER-LEFT: 0pt; PADDING-TOP: 0in; BORDER-BOTTOM: 0pt; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 2.0pt 0.2in 1.0pt 1.0pt"><SPAN style="FONT-SIZE: 7pt; FONT-FAMILY: 'Franklin Gothic Book'; mso-bidi-font-size: 8.0pt"> <br><BR><BR> <P class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.2in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 3.0in; BORDER-LEFT: 0pt; PADDING-TOP: 0in; BORDER-BOTTOM: 0pt; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 2.0pt 0.2in 1.0pt 1.0pt"> <SPAN style="FONT-SIZE: 18pt; FONT-FAMILY: 'Franklin Gothic Book'; mso-bidi-font-size: 18.0pt"> <B><BR> ....BUT the AMP is immortal....!! </B> </U><FONT color=#8367 size=4 bgcolor="white"> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.575in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 3.0in; BORDER-LEFT: 0pt; PADDING-TOP: 0in; BORDER-BOTTOM: 0pt; mso-border-alt: solid windowtext .5pt; mso-padding-alt: .0pt 0.in .0pt .0pt"><SPAN style="FONT-SIZE: 18pt; FONT-FAMILY: 'Franklin Gothic Book'; mso-bidi-font-size: 18.0pt"> <B><BR> ....BUT the AMP is immortal....!!</B></span></p></p> <TABLE cellSpacing=2 cellPadding=1 width="100%" bgColor=#999f9> <TBODY> <TR> <TD vAlign=top width=10> <P style="FONT-SIZE: 10pt; MARGIN: .14in 1px 0pt 0pt; FONT-FAMILY: Arial,sans-serif,'Georgia'"> <IMG height="25" width="110" alt="Because Hearing a Kennedyaudio Killer Bass Amp Is Believing" src="Heading.gif" align=baseline border=1></img></A></P> <TD vAlign=left width="86%"> <h5> Note that while the kennedy amp output is actually much safer than any tube amp, the Kennedy amp is designed to be useful when connected to widely differing speaker loadings, making line handling <i>possible </i>for this device when most <strong>'consumer' </strong>amplifiers <u>cannot change their speaker loadings.</u> Also the major risk in touching speaker lines is creating a path where electricity must pass through the heart and chest areas to go to ground. While the AC signal tends not to penetrate as deeply as DC and the voltage is much lower than a tube amp, the continued contact would cause the signal to supply ever increasing amperage (current) which in turn penetrates deeper than skin levels. Always Act responsibly around all live wire connections on stage and in practice. Ask for help and assistance whenever you even need to be near wires that run into speakers. Remember smaller wires can be a sign of higher voltages as high voltage requires lesser wire diameters. Understand many speaker jacks use the metal of the jack itself as a hot or 'live' path to ground.<br> These standards have been with us a long time and perpetuate themselves and make innovation harder. <br> Our index listing catagory is as communication consultants and not as a consumer electrionics company. </h5> </TR></TBODY></TABLE> <FONT color=#867 size=4 bgcolor="green"> <P class=MsoNormal style="MARGIN-LEFT:3.4in"> <SPAN style="FONT-SIZE: 4pt; mso-bidi-font-size: 4pt"><FONT color=#2377 size=4 bgcolor="white">We sell only <u>current and voltage drive amps &</u> audio. For more safety information<o:p></o:p></SPAN></P> <P class=MsoNormal style="MARGIN-LEFT:3.4in"> <SPAN style="FONT-SIZE: 16pt">contact: <a href="&#x6d;&#x61;&#x69;&#x6c;&#x74;&#x6f;&#x3a;&#x77;&#x65;&#x62;&#x6d;&#x61;&#x73;&#x74;&#x65;&#x72;&#x40;&#x6b;&#x65;&#x6e;&#x6e;&#x65;&#x64;&#x79;&#x61;&#x75;&#x64;&#x69;&#x6f;&#x2e;&#x63;&#x6f;&#x6d;">email kennedy audio</a> </SPAN></P></FONT> <SPAN style="FONT-SIZE: 12pt"> <P class=MsoNormal style="MARGIN-LEFT:2.95in;MARGIN-TOP:.3in"> <IMG height="40" width="467" alt='"Kennedyaudio Location Is Harford, Wi.'" title="Kennedy Audio Dealer Locations" src="http://www.kennedyaudio.com/Hartford3.JPG" align="baseline" border=1></img> </p> <BR><BR><BR><BR> <BR><BR><BR><BR> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -1.7in; PADDING-LEFT: .0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:2.95in ;WIDTH: 8in; POSITION: absolute; HEIGHT: 12pt"> </p> </span> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: .0pt; MARGIN-TOP: .05in; MARGIN-LEFT: 3.05in; MARGIN-RIGHT:0.in;FONT-SIZE:12pt"> <u>Relax awhile: read tech talk, <b>order or buy online and compare vintage analog to digital subsystem <BR>consolidation concepts designed built and installed by internationally marketed sound systems integrators!</b> </u></p> <br> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: .0pt; MARGIN-TOP: -0.in; MARGIN-LEFT: 4.05in; MARGIN-RIGHT:0.in"> <span style="FONT-SIZE: 13pt;BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.0in; MARGIN-LEFT: 4.05in; MARGIN-RIGHT:0in"><br> Shop tubes versus solid state amplifiers. <b>Reliable</b> hard to find <strong><B>bass amps</B></strong>. </span></p> <p class=MsoNormal style="FONT-SIZE: 13pt;BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.in; MARGIN-LEFT: 4.05in; MARGIN-RIGHT:0.in">Stringed <strong>instruments amps</strong> and <span style="FONT-SIZE: 13pt;BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.0in; MARGIN-LEFT: .02in; MARGIN-RIGHT:0in"> <b><strong>voltage and current driven components</b>. Designer Analog Sound.</strong> </span></p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.in; MARGIN-LEFT: 4.02in; MARGIN-RIGHT:0.in> <span style="FONT-SIZE: 13pt;BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.0in; MARGIN-LEFT: 4.1in; MARGIN-RIGHT:0in"> Automatic cabinet matching to amplifiers; the sound man's sound solutions.<br> </span></p> <P class=MsoNormal style="MARGIN-LEFT:4.0in"> Easier set up of any sound envelope for <strong><b>better live performance.</b></strong><br> Available designers of loud stage sound in high population arenas.<br> </p> <h2> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: .0in; PADDING-LEFT: .0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:3.8in ;WIDTH: 8in; POSITION: absolute; HEIGHT: 10pt"> We've been thinking out of the box by using our own buying power and research<br> to put new dimensions into the old school box once a plain power <b>bass amp.</b><br> Thinking new requires testing new. Avoid paper powered gear and sales channel toys.<br> </h2></p></span> <B> <BR><BR><BR> <P class=MsoNormal style="MARGIN-LEFT: 3.4in; BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.0in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 0.4in; BORDER-LEFT: 0pt; PADDING-TOP: 0in; BORDER-BOTTOM: 0pt; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 2.0pt 0.2in 1.0pt 1.0pt"> <SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: 'Franklin Gothic Book'; mso-bidi-font-size: 8.0pt"> </span> </p> </b> </h1></p> <h1> <P class=MsoNormal style="MARGIN-LEFT: 0.0in; BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: -0.0in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 0.0in; BORDER-LEFT: 0pt; PADDING-TOP: 0in; BORDER-BOTTOM: 0pt; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 2.0pt 0.2in 1.0pt 1.0pt"> <SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: 'Franklin Gothic Book'; mso-bidi-font-size: 10.0pt"> Kennedyaudio.com Multi Function HI-FIDELITY Power Amp. Buying Designer Analog Sound Dealing Direct Cuts Your Costs In HALF. Did Retail Electronics Mass Marketing<BR> Ever Work For Americans? Be the future. Telepresence Band and Stereo Theater Sound you buy online. Suppliers of JBL Recone Kit, JB Lansing aftermarket speaker parts, <BR> drop-in cone, transducer repairs, Telepresence Systems, Stereo Theater. World's only Analytic Audio Site, Analog to analog components & sub-systems. The easiest Speaker Repairs <BR>are those of American Made Speakers produced IN NUMBER. Our JBL Kits are not the parts only type kits but already assembled to make a big speaker repair job into a drop-in recone. <BR>We even give advice on Transducer Physics as well as supply of special diamond voice coil coating with diamagnetic proximity effect voice coil coating included in that JB Lansing part enhancement. </h1> </p> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0.0in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:3.2in"><BR><BR> </b> So why not compare a quality <strong>reliable</strong> Kennedyaudio.com<br> amp</b> with fickle <b>bass killer <strong></b>underpowered tube amplifiers?<br></strong> </p> <br> <p class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: .0in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT:0.in"> <P class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 3.4in; BORDER-LEFT: 0pt; PADDING-TOP: 0in; BORDER-BOTTOM: 0pt; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 2.0pt 0.2in 1.0pt 1.0pt"><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: Franklin Gothic Book; mso-bidi-font-size: 12.0pt"> <P class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 3.4in; BORDER-LEFT: 0pt; PADDING-TOP: 0in; BORDER-BOTTOM: 0pt; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 2.0pt 0.2in 1.0pt 1.0pt"><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: Franklin Gothic Book; mso-bidi-font-size: 12.0pt"> And have a great day, month and quarter in your personal business affairs. </p><br> <P class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 3.4in; BORDER-LEFT: 0pt; PADDING-TOP: 0in; BORDER-BOTTOM: 0pt; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 2.0pt 0.2in 1.0pt 1.0pt"><SPAN style="FONT-SIZE: 6pt; FONT-FAMILY: Franklin Gothic Book; mso-bidi-font-size: 6.0pt"> </p> <br><br> <br> <P class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt; MARGIN-TOP: 0in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 4.4in; BORDER-LEFT: 0pt; PADDING-TOP: 0in; BORDER-BOTTOM: 0pt; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 2.0pt 0.2in 1.0pt 1.0pt"><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Franklin Gothic Book; mso-bidi-font-size: 10.0pt"> <br><br> </p> <P class=MsoNormal style="BORDER-RIGHT: 0pt; PADDING-RIGHT: 0in; BORDER-TOP: 0pt;FONT-SIZE: 13pt; MARGIN-TOP: -0.73in; PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; MARGIN-LEFT: 4.65in; BORDER-LEFT: medium none; PADDING-TOP: .17in; BORDER-BOTTOM: medium none; mso-border-alt: solid windowtext -1.0pt; mso-padding-alt: .0pt 0.in .0pt .0pt;LEFT: 0.02in; WIDTH: 8in; POSITION: absolute; HEIGHT: 12pt"> <IMG height="73" width="190" alt="Confidence & Com-pote-nce" src="http://www.kennedyaudio.com/loetz.JPG" align="center" border=0></img> </p> <br><br><br><br> </DIV id="container"> </BODY> <SCRIPT language=JavaScript> <!-- document.write(''); function OAS_AD(pos) { if (OAS_version >= 11) OAS_RICH(pos); else OAS_NORMAL(pos); } //--> </SCRIPT> <SCRIPT language=JavaScript type=text/JavaScript> <!-- function comparetime(start, finish) { today = new Date(); year = today.getYear(); month = today.getMonth(); day = today.getDate(); if (Date.parse(start) <= today && Date.parse(finish) > today) return true; } //--> </SCRIPT> </DIV></SPAN></B></FONT></SPAN></SPAN></SPAN></DIV></B></FONT></v:imagedata></v:shape> <DIV id=dhtmltooltip> <SCRIPT type=text/javascript> /*********************************************** * Cool DHTML tooltip script- © Dynamic Drive DHTML code library (www.dynamicdrive.com) * This notice MUST stay intact for legal use * Visit Dynamic Drive at http://www.dynamicdrive.com/ for full source code ***********************************************/ var offsetxpoint=-60 //Customize x offset of tooltip var offsetypoint=20 //Customize y offset of tooltip var ie=document.all var ns6=document.getElementById && !document.all var enabletip=false if (ie||ns6) var tipobj=document.all? 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