Speaker recone
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|| Bi-amp Stereo analog to analog components, refinement & consolidation by bi-amping. ||We also offer sound reinforcement and control, loudspeaker HiFi and JBL drop-in recone for classic transducer parts and PA arrays, live sound arrays, pro audio gear
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Telepresence Redefined
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 Designer Analog Sound
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 JB Lansing parts
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Speaker Systems
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Our new designs are unusual. 24 capacitors (12//ch), 14 inductors (7/ch) 16 resistors (8/ch):
The Tantalums tune and add extra EVEN low order harmonics
with the use of diodes, special series capacitors, noiseless inductors and cascaded double sided mirror image cap banks. Currently Built Stock = 13
with the use of diodes, special series capacitors, noiseless inductors and cascaded double sided mirror image cap banks. Currently Built Stock = 13
This is THE way to make a low power home theater or low cost stereo sound like the expensive audiophile elite without the risks.
This is THE way to make a low power home theater or low cost stereo sound like the expensive audiophile elite without the risks.
There are 4 filters overlayed into 2 high and 2 low channels. We can claim this adds Live Sound SQ to sound stage and stereo image.
There are 4 filters overlayed into 2 high and 2 low channels. We can claim this adds Live Sound SQ to sound stage and stereo image.
That is to say there is more depth of field front to back, left/right sound effect.
Vocals especially stand out better from music behind them.
That is to say there is more depth of field front to back, left/right sound effect.
Vocals especially stand out better from music behind them.
As OLED and LED screens become available, our products will be ready for the telepresence market that will emerge.
All our amps and preamps are designed for wider expanded frequency ranges, not just bass range. More headroom, more stereo imaging.
This saves you money in the long run because you don't have to regret a decision that lacks a full audio bandwidth cross cascadability.
Other simple circuit designs can't stand the intermodulation distortion, slew rate, ohm stability of full bridged discreet transistor componentry.
When a Kennedy circuit uses chips, it is in a replaceble socket for repairability.
As OLED and LED screens become available, our products will be ready for the telepresence market that will emerge.
All our amps and preamps are designed for wider expanded frequency ranges, not just bass range. More headroom, more stereo imaging.
This saves you money in the long run because you don't have to regret a decision that lacks a full audio bandwidth cross cascadability.
Other simple circuit designs can't stand the intermodulation distortion, slew rate, ohm stability of full bridged discreet transistor componentry.
When a Kennedy circuit uses chips, it is in a replaceble socket for repairability.
America's #1 affordable DTV Entertainment Center
Currently Supporting Logitech 9000 for Business
webcam telepresence teleconference systems.
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Below is a product claim:
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In Phase DeCompression +
Out of Phase Intermodulation Distortion Reduction
just by splitting 2 input channels into two hi & 2 low channels
READ
About Next January 2011- 3DTV is coming!
In the times that we live in, there should be no difference between either the speakers or the amplifiers that are bought for any purpose. In decades of the past, an 'audiophile' customer demanded a complete system that had no distortion whatsoever. None, at any volume. These systems had small power supplies and wide dynamic ranges. The automotive customer wanted to use large current in his auto starter system to drive only power woofers and subsonics. The guitarist wanted speakers that can handle distorted waves, did not care about amplifier distortion at all , but the right tonal quality, a mix of harmonics - even and odd, distorted and clear- low intermodulation distortion intensive. It was not even thinkable that these requirements could be combined. And so they never did get sold that way. But in fact, the technology is on the shelf to do it, and you don't even have to buy the best transistors to make it happen. Since the society of electronic engineers standardized amplifier output impedance to 1000 ohms or damping factors of 125 for an 8 ohm speaker load, it became quite a bit easier yet. But the customer needs to spend a little more and be better retrained. This is the mission of our website - please read as many of the sub-pages that you need to read until you are a qualified buyer. ----------------------What's The BIG Secret ? ------- You MUST split output into low frequencies and higher harmonic ones.
In the times that we live in, there should be no difference between either the speakers or the amplifiers that are bought for any purpose. In decades of the past, an 'audiophile' customer demanded a complete system that had no distortion whatsoever. None, at any volume. These systems had small power supplies and wide dynamic ranges. The automotive customer wanted to use large current in his auto starter system to drive only power woofers and subsonics. The guitarist wanted speakers that can handle distorted waves, did not care about amplifier distortion at all , but the right tonal quality, a mix of harmonics - even and odd, distorted and clear- low intermodulation distortion intensive. It was not even thinkable that these requirements could be combined. And so they never did get sold that way. But in fact, the technology is on the shelf to do it, and you don't even have to buy the best transistors to make it happen. Since the society of electronic engineers standardized amplifier output impedance to 1000 ohms or damping factors of 125 for an 8 ohm speaker load, it became quite a bit easier yet. But the customer needs to spend a little more and be better retrained. This is the mission of our website - please read as many of the sub-pages that you need to read until you are a qualified buyer. ----------------------What's The BIG Secret ? ------- You MUST split output into low frequencies and higher harmonic ones.
We expect online telepresence to be different from Twitter.com or Network industry vision. In fact, we expect telepresence to be the new format for aging sites like eBay.com, for antique dealerships, for bank loans and real estate appraisals, accountant services and yes even the new Health Care paradigm. The sound we are used to will simply HAVE to be changed to upgrade to 3DTV in communication by telepresence. With the AAHRAY, some special sounds like a guitar whaa or flute seem to float above the speaker or in front of it. The reason is harmonics. Old stereo was rich in harmonics in the 13K to 20K band. With digital surround these days, you might hear a cymbal or some traffic noises there, but the spacial harmonic effect of the underlying midrange is filtered out by the noise filters and Analoge to digital conversion. This invokes memories of what many American sound designers have said. Paraphrasing David Hafler who used to say surround sound should NOT BE NECESSARY. Audio in nature is from people's front. Sound from behind you often startles or upsets people. Only if a car drives from behind in video does Japanese origin surround ever impress anyone. Still the CFC JHX would improve that also. For Telepresence or any webcast videos with surround sound the current technology just does not make sense. Bitrate limits of PCM, .WAV and DVD-Video is 6.144 Mbit/s, because of the required 8 channels x 48 kHz x 16-bit per sample = 6144 kbit/s. But in stereo sample rates improve to 2 channels X 96 Khz x 24-bit per sample = 9216 kbit/s.
We expect online telepresence to be different from Twitter.com or Network industry vision.
In fact, we expect telepresence to be the new format for aging sites like eBay.com, for antique dealerships,
for bank loans and real estate appraisals, accountant services and yes even the new Health Care paradigm.
The sound we are used to will simply HAVE to be changed to upgrade to 3DTV in communication by telepresence.
With the AAHRAY, some special sounds like a guitar whaa or flute seem to float above the speaker or in front of it.
The reason is harmonics. Old stereo was rich in harmonics in the 13K to 20K band. With digital surround these days, you might hear a cymbal
or some traffic noises there, but the spacial harmonic effect of the underlying midrange is filtered out by the noise filters and Analoge to digital conversion.
This invokes memories of what many American sound designers have said. Paraphrasing David Hafler
who used to say surround sound should NOT BE NECESSARY. Audio in nature is from people's front.
Sound from behind you often startles or upsets people. Only if a car drives from behind in video
does Japanese origin surround ever impress anyone. Still the CFC JHX would improve that also.
For Telepresence or any webcast videos with surround sound the current technology just does not make sense. Bitrate limits of PCM, .WAV and DVD-Video is 6.144 Mbit/s,
because of the required 8 channels x 48 kHz x 16-bit per sample = 6144 kbit/s. But in stereo sample rates improve to 2 channels X 96 Khz x 24-bit per sample = 9216 kbit/s.
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The graphic above represents vintage amplifier wattage output of differential complementary amplifier behavior.
Called frequency compensation in op-amps using bipolar output transistors and in MOS types resistive output.
Because most input circuits are forced to be non-inverting even if the IC is designed for inverting operation,
the newer rail to rail op-amps are designed to be non-inverting so they can couple better with higher impedance
inputs like other pre-amps or small hand held units. Dubbed Preamp Prunella output by movie theater THX pundits.
Overcontrol of oscillation in your amplifier of an unknown slew rate, implies you need to upgrade your system to our universal one.
Most people say they don't want digital audio. The HDMI and digital coax and digital optical are all for the manufacturer.
The right to lock up the audio and video signal is then a technological advantage, as is longer distance multiple signal distribution.
Age regressive designers still build old voltage amplifiers that must exactly match the speaker (1 usually)
that is always built into the unit or sold as a seperate but usually attached as a front baffled driver unit.
The reason is
Most people say they don't want digital audio. The HDMI and digital coax and digital optical are all for the manufacturer. The right to lock up the audio and video signal is then a technological advantage, as is longer distance multiple signal distribution. Age regressive designers still build old voltage amplifiers that must exactly match the speaker (1 usually) that is always built into the unit or sold as a seperate but usually attached as a front baffled driver unit. The reason is specification matching When you can't put different components between other components, be sceptical. Art Deco is at one time both expensive and cost driven.
Most people say they don't want digital audio. The HDMI and digital coax and digital optical are all for the manufacturer. The right to lock up the audio and video signal is then a technological advantage, as is longer distance multiple signal distribution. Age regressive designers still build old voltage amplifiers that must exactly match the speaker (1 usually) that is always built into the unit or sold as a seperate but usually attached as a front baffled driver unit. The reason is specification matching When you can't put different components between other components, be sceptical. Art Deco is at one time both expensive and cost driven.
The general art deco sound concept has roots in maintaining originality and versatility and experimental thinking; reorganizing and substitutions. Boosting by active circuits is never deco audio unless gently developed.
The general art deco sound concept has roots in maintaining originality and versatility and experimental thinking; reorganizing and substitutions. Boosting by active circuits is never deco audio unless gently developed.
Efficiency is ONLY GOOD combined with ANOTHER GOOD. The devil is made a God by returning good with evil. In many ways, digital reconstructive wave forms are like that. Regenerative feedback NOT negative feedback!
Efficiency is ONLY GOOD combined with ANOTHER GOOD. The devil is made a God by returning good with evil. In many ways, digital reconstructive wave forms are like that. Regenerative feedback NOT negative feedback!
The eye on a pyramid is symbolic of the ancient evil counterpart to God's natural selection/deselection - the eye of Apophis, the message is 'watch out for' raiding robbing deconstructive unnatural life exploitation.
The eye on a pyramid is symbolic of the ancient evil counterpart to God's natural selection/deselection - the eye of Apophis, the message is 'watch out for' raiding robbing deconstructive unnatural life exploitation.
As numeric symbols, 3 sides in ancient Egypt meant many because it is simply more than 2. His one eye stands in contrast to the many; in Ani's book of dead shown as 3 strokes through the serpant Apep+/-'his'.
As numeric symbols, 3 sides in ancient Egypt meant many because it is simply more than 2. His one eye stands in contrast to the many; in Ani's book of dead shown as 3 strokes through the serpant Apep+/-'his'.
A parted pyramid symbolizes combining Art with Science (SA) and winning BY the natural selection - over the seductive lies of Apep the snake, that choices we make give voice to our work through the light of history.
A parted pyramid symbolizes combining Art with Science (SA) and winning BY the natural selection - over the seductive lies of Apep the snake, that choices we make give voice to our work through the light of history.
The great light of history is maintained by Set and Mehen, who, after the priests of Apophis are done saving one's soul asks with the help of the shape of a pyramid/triangle 'who will now save your mind?'.
The great light of history is maintained by Set and Mehen, who, after the priests of Apophis are done saving one's soul asks with the help of the shape of a pyramid/triangle 'who will now save your mind?'.
The Rhind papyrus contains 87 math problems. #26- What number when added to a quarter of that quantity is 15?
The Rhind papyrus contains 87 math problems. #26- What number when added to a quarter of that quantity is 15?
1+2+3+4+5=15 and 5 basic oscillations or forces were thought to rule nature, Quintessence was defined by both 5 pointed pyramids and 5 pointed stars.
1+2+3+4+5=15 and 5 basic oscillations or forces were thought to rule nature, Quintessence was defined by both 5 pointed pyramids and 5 pointed stars.
1+2+3...+9+10=55. Besides man's gait evolved from 5 bio-oscillators, Quintessence is energy with negative pressure sufficient to drive universal expansion.
1+2+3...+9+10=55. Besides man's gait evolved from 5 bio-oscillators, Quintessence is energy with negative pressure sufficient to drive universal expansion.
The abstract
and The Sound Topology solution
You can't always hear the difference in audio work, contrary to popular belief. The phases can be shifted or the design fails to remixed properly for phase shifts. Most capacitors can shift phase up to 1/4 wavelength and you never hear it. Inductors can shift phases by twice as much. This gives a good designer great opportunity but is also the source of much frustation because the shifting changes with differnt voltage in as well as across the frequency band for each filter. This is where stereo biamp splitters differ from speaker crossover designs. Only by adding extras like expensive supercapacitor is it possible to reach really interesting design heights.
You can't always hear the difference in audio work, contrary to popular belief. The phases can be shifted or the design fails to remixed properly for phase shifts. Most capacitors can shift phase up to 1/4 wavelength and you never hear it. Inductors can shift phases by twice as much. This gives a good designer great opportunity but is also the source of much frustation because the shifting changes with differnt voltage in as well as across the frequency band for each filter. This is where stereo biamp splitters differ from speaker crossover designs. Only by adding extras like expensive supercapacitor is it possible to reach really interesting design heights.
For those just buying into Blu-Ray home theater, you can save money on dolby decoding because the new blu-ray systems actually decode all sound and have outputs for left rear, right rear, front center and front left / right and newer 7.1 rear center All you have to do is select PCM audio mode from setup. If bitstream is used, the sound is re-encoded for output to obsolete decoders. The Kennedy Audio Compression Flux Capacitor stereo bi-amping spiltter (CFC) is the best choice - Stereo improves but you still get DTS, THX, Pro-logic, Pro-logic Plus Digital Dolby or TrueHD and 7.1 surround as on Samsung the BD-P1500 (but only PCM front right and left output on the BD-P1000)
For those just buying into Blu-Ray home theater, you can save money on dolby decoding because the new blu-ray systems
actually decode all sound and have outputs for left rear, right rear, front center and front left / right and newer 7.1 rear center
All you have to do is select PCM audio mode from setup. If bitstream is used, the sound is re-encoded for output to obsolete decoders.
The Kennedy Audio Compression Flux Capacitor stereo bi-amping spiltter (CFC) is the best choice - Stereo improves but you still get DTS, THX, Pro-logic, Pro-logic Plus
Digital Dolby or TrueHD and 7.1 surround as on Samsung the BD-P1500 (but only PCM front right and left output on the BD-P1000)
The Panasonic BD-30 series (except newer BD-35) did not offer any decoded output for those without HDMI or decoding but the newer BD-50 /BD-55 does. The DMP-BD55 models are designed to allow all types of decoded output going to either integrated stereo or to HDMI (TV) devices. You have to take it with a grain of salt when you read reviews that say 'However, you will almost certainly get better bass management if you use the bitstream. Reviews are not considering extra-japanese bi-amplifiaction using the Kennedy 500 amp and our non-symetrically ported JBL 106 dB bass enclosures and CFC technology. Management of a stereo system integrated into TV is easier without decoding, just keep all settings the same all the time using Kennnedy Audio CFC technology.
The Panasonic BD-30 series (except newer BD-35) did not offer any decoded output for those without HDMI or decoding but the newer BD-50 /BD-55 does.
The DMP-BD55 models are designed to allow all types of decoded output going to either integrated stereo or to HDMI (TV) devices.
You have to take it with a grain of salt when you read reviews that say 'However, you will almost certainly get better bass management if you use the bitstream.
Reviews are not considering extra-japanese bi-amplifiaction using the Kennedy 500 amp and our non-symetrically ported JBL 106 dB bass enclosures and CFC technology.
Management of a stereo system integrated into TV is easier without decoding, just keep all settings the same all the time using Kennnedy Audio CFC technology.
The prices on eBay for the audio feature rich Panasonic models in Blu-Ray average about $100 less if you shop well.
The prices on eBay for the audio feature rich Panasonic models in Blu-Ray average about $100 less if you shop well.
Since you will never be wanting to use TRUEHD or such when you hear CFC, that saves you $100 plus any decoder costs.
The savings makes $200 for a professional American heartland designed made and built audio bi-amp ,splitter filter, crossover affordable.
When you consider that there are fewer components that are expensive to repair and it lasts a lifetime, it looks even better yet. Today, we have much larger cone excursions, a wider range of magnet materials and heavy duty speaker sensitivity and voice coil types, suspension methods, heat controls and that's not to even begin to explore analog power enhancements, mods and bi-amping abilities and soundstage reliability and obselescence issues.
When you consider that there are fewer components that are expensive to repair and it lasts a lifetime, it looks even better yet. Today, we have much larger cone excursions, a wider range of magnet materials and heavy duty speaker sensitivity and voice coil types, suspension methods, heat controls and that's not to even begin to explore analog power enhancements, mods and bi-amping abilities and soundstage reliability and obselescence issues.
Many audiophiles say that digital & andigital music media does not sound as good as a biamped analog tuner. We are the worlds only builder of amplifiers and tradecraft speakers that are computer designed for as an optimal investment. We use mainly inline TANTALUM capacitors or electrolytic tantalums (supercapacitors) with a few exceptions intended to bring out better discharge of voltage and current simultaniously as with our amplifiers Normal discharge rates which are much faster than charge rates for polarized capacitors. Bipolars Electrolytics help manage the charge rates of tantalums. They allow us to add just enough even harmonics making our filters small in size yet create a harmonic equalizer superior to CD digital, MP3, .OGG or vintage Class A audio alone. Solid tantalums have low impedance at high frequencies, which others do not. It takes 20uf in an aluminum to match each 1uf tantalum.
Many audiophiles say that digital & andigital music media does not sound as good as a biamped analog tuner. We are the worlds only builder of amplifiers and tradecraft speakers that are computer designed for as an optimal investment. We use mainly inline TANTALUM capacitors or electrolytic tantalums (supercapacitors) with a few exceptions intended to bring out better discharge of voltage and current simultaniously as with our amplifiers Normal discharge rates which are much faster than charge rates for polarized capacitors. Bipolars Electrolytics help manage the charge rates of tantalums. They allow us to add just enough even harmonics making our filters small in size yet create a harmonic equalizer superior to CD digital, MP3, .OGG or vintage Class A audio alone. Solid tantalums have low impedance at high frequencies, which others do not. It takes 20uf in an aluminum to match each 1uf tantalum.
Our technology allows us to recone JBL speakers in 18, 15, 12 and soon 10 inch sized with 106 dB at 1 watt 1 meter. This is an improvement over any classic JBL speaker sensitivity of 10 to 20 dB approximately, it allows a wider range of amp powers. Although not shown on the price list, we would ask $58 labor to recone a 15 inch JBL to 106 dB voiceing. Discounts are available for multi-purchasers. We use 1 dB = 20 MicroPascals
Our technology allows us to recone JBL speakers in 18, 15, 12 and soon 10 inch sized with 106 dB at 1 watt 1 meter.
This is an improvement over any classic JBL speaker sensitivity of 10 to 20 dB approximately, it allows a wider range of amp powers.
Although not shown on the price list, we would ask $58 labor to recone a 15 inch JBL to 106 dB voiceing. Discounts are available for multi-purchasers.
We use 1 dB = 20 MicroPascals
The truth about capacitors is that electrolytics were developed as rectifiers. They are not audio quality these days if they ever were.
A capacitor at 10 volts input may ouput 30 volts, thus it restores the voltages or poor signals but higher voltages always increase THD metrics.
The truth about capacitors is that electrolytics were developed as rectifiers. They are not audio quality these days if they ever were.
A capacitor at 10 volts input may ouput 30 volts, thus it restores the voltages or poor signals but higher voltages always increase THD metrics.
Quoting an expert source on this subject : Electrolytic capacitors, known for their relatively high capacitance and low working voltage,
Quoting an expert source on this subject : Electrolytic capacitors, known for their relatively high capacitance and low working voltage,
are also known for their notorious lossiness, due to both the characteristics of the microscopically thin dielectric film and the electrolyte paste.
are also known for their notorious lossiness, due to both the characteristics of the microscopically thin dielectric film and the electrolyte paste.
Unless specially made for AC service, electrolytic capacitors should never be used with AC unless it is mixed (biased) with a constant DC voltage
Unless specially made for AC service, electrolytic capacitors should never be used with AC unless it is mixed (biased) with a constant DC voltage.
preventing the capacitor from ever being subjected to reverse voltage. Even then, their resistive characteristics may be too severe a shortcoming
preventing the capacitor from ever being subjected to reverse voltage. Even then, their resistive characteristics may be too severe a shortcoming.
for the application anyway. End.Quote:refers to all but non-polarized electrolytics- very expensive and crude. An old audio cult holdover technology.
for the application anyway. End.Quote:refers to all but non-polarized electrolytics- very expensive and crude. An old audio cult holdover technology.
So, you see, the audio SQ industry is awash in aging design and counter cult disinformation. Capacitors dielectric material choice is only one example.
Buying amplifiers comes with little assurances that vintage components won't 'blow out' lO SQ HI SPL speakers, but we only sell what we MAKE - POWERFUL PRO speakers!Buying amplifiers comes with little assurances that vintage components won't 'blow out' lO SQ HI SPL speakers, but we only sell what we MAKE - POWERFUL PRO speakers!
We do power a wide range of audio High SQ speakers or crossover impedances that won't blow out our power amplifiers.
We do power a wide range of audio High SQ speakers or crossover impedances that won't blow out our power amplifiers.
We have no inventory because we also match the desires and new tech interests in so many ways.We have no inventory because we also match the desires and new tech interests in so many ways.
What we sell just makes more sense in a more complex world, even if it takes more time spent soldering.What we sell just makes more sense in a more complex world, even if it takes more time spent soldering.
So, call me on my cell phone at 920-850-0920 and I will take your credit card, or fill out the order form.So, call me on my cell phone at 920-850-0920 and I will take your credit card, or fill out the order form.
I will then talk with Kennedy about your existing audio SQ or distributed sub-systems components and get a proposal.I will then talk with Kennedy about your existing audio SQ or distributed sub-systems components and get a proposal.
All the jargon in the industry does not help anyone buy audio SQ equipment. Speaker sensitivity is written about on the web as if it was power handling ability. No such direct comparison is a fair one and reduced power is not a design feature. Sure, sensitivity gives loudness for one watt voltage drop, but that's not mentioned as relative to power handling or 'breakup'. A high power speaker draws more current and drops less voltage, reflecting the improvement in controlability. At some volume it '/breaks up'/. Higher power handling speakers also reach one watt energization at high wattages by finer incremental responses. Because speakers are rated for sensitivity at their rated power handling, just comparing sensitivities ad-hoc could give a false reader's impression of the characteristics of the speaker as well as the amplification system used or broadness of range. This is not directly efficiency, power or sound quality or distortion, just different impadence relative wattage numbers. A high wattage speaker still plays softly if its source is a lower power amplifier. Sadly, stereo system designs for amplifiers have oversold their versatility by 'overpowering' the narrow dynamic range speakers they interface to. The sensation that turning the volume knob easily controls audio levels noxiously obscures the real hidden design issues. A big part of audio quality is allowing the listener to go longer hours without fatigue; eliminating unhealthy resonances. This requires a wide range of distinct loudnesses from a single speaker without speaker ringing, pops or internal and external acoustic resonances and nearby frequency domination of tonaly and texturally different instrumental sounds.
All the jargon in the industry does not help anyone buy audio SQ equipment. Speaker sensitivity is written about on the web as if it was power handling ability. No such direct comparison is a fair one and reduced power is not a design feature. Sure, sensitivity gives loudness for one watt voltage drop, but that's not mentioned as relative to power handling or 'breakup'. A high power speaker draws more current and drops less voltage, reflecting the improvement in controlability. At some volume it '/breaks up'/. Higher power handling speakers also reach one watt energization at high wattages by finer incremental responses. Because speakers are rated for sensitivity at their rated power handling, just comparing sensitivities ad-hoc could give a false reader's impression of the characteristics of the speaker as well as the amplification system used or broadness of range. This is not directly efficiency, power or sound quality or distortion, just different impedance relative wattage numbers. A high wattage speaker still plays softly if its source is a lower power amplifier. Sadly, stereo system designs for amplifiers have oversold their versatility by 'overpowering' the narrow dynamic range speakers they interface to. The sensation that turning the volume knob easily controls audio levels noxiously obscures the real hidden design issues. A big part of audio quality is allowing the listener to go longer hours without fatigue; eliminating unhealthy resonances. This requires a wide range of distinct loudnesses from a single speaker without speaker ringing, pops or internal and external acoustic resonances and nearby frequency domination of tonaly and texturally different instrumental sounds.
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Killer custom high power amplifier sound
Kennedyaudio
internet sales - sole public notice of the following:
Kennedyaudio
internet sales - sole public notice of the following:
Touching live leads left over right handed with current and voltage drive
circuit technology has a ten times greater chance of death than
wrongly
contacting other types of high wattage amplifiers or drive line terminals.
Touching live leads left over right handed with current and voltage drive
circuit technology has a ten times greater chance of death than
wrongly
contacting
other types of high wattage amplifiers or drive line terminals.
....BUT the AMP is immortal....!!
....BUT the AMP is immortal....!!
Buy Online & Compare Bass Amp or Tune Ity's - the place Abuythos
Trade in allowances:
Kennedyaudio.com Multi Function HI-FIDELITY Power Amp.
Buying Designer Analog Sound Dealing Direct Cuts Your Costs In HALF.
Did Retail Electronics Mass Marketing Ever Work For Americans?
Be the future. Telepresence Band and Stereo Theater Sound you buy online.
Suppliers of JBL Recone Kit, JB Lansing aftermarket speaker parts,
drop-in cone, transducer repairs, Telepresence Systems, Stereo Theater.
World's only Analytic Audio Site, Analog to analog components & sub-systems.
The easiest Speaker Repairs are those of American Made Speakers produced IN NUMBER.
Our JBL Kits are not the parts only type kits but already assembled to make a big
speaker repair job into a drop-in recone. We even give advice on Transducer Physics
as well as supply of special diamond voice coil coating with diamagnetic proximity
effect voice coil coating included in that JB Lansing part enhancement.
Check back to upgrade to 3DTV, buy affordable DTV, or for screening 1600p.
Full service Audio means sound reinforcement and control, vintage amplifiers,
movie THX, PA arrays and live sound arrays or similar pro audio gear.
Studio services. Specialists in heritage Lansing engineering, 3D cabinets,
gothic 3D enclosured cabinets, the science of the speaker box and passive
radiators and related quality metrics and measurement. We custom machine
tool many subcomponents to provide superior, safe and precise items.
Our prices are fair and not based upon imported goods unless so represented.
on Kennedyaudio amps negotiated only for amps supplied with
working 48V+ large power (1000W+) transformers center tapped¡
We sell only current and voltage drive amps & audio. For more safety
information
Relax awhile: read tech talk, order or buy online and compare vintage analog to digital subsystem
consolidation concepts
designed built and installed by internationally marketed sound systems integrators!
Shop tubes versus solid state amplifiers.
Reliable hard to find bass amps.
Stringed instruments amps and voltage and current driven components. Designer Analog Sound.
Automatic cabinet matching to amplifiers; the sound man's sound solutions.
Easier set up of any sound envelope for better live performance.
Available designers of loud stage sound in high population arenas.
We've been thinking out of the box by using our own buying power and research
to put new dimensions into the old school box once a plain power bass amp.
Thinking new requires testing new. Avoid paper powered gear and sales channel toys.
So why not compare a quality reliable Kennedyaudio.com
Note that while the kennedy amp output is actually much safer than any tube amp, the Kennedy amp is designed to be
useful when connected to widely differing speaker loadings, making line handling possible for this device when most 'consumer'
amplifiers cannot change their speaker loadings. Also the major risk in touching speaker lines is creating a path where electricity
must pass through the heart and chest areas to go to ground. While the AC signal tends not to penetrate as deeply as DC
and the voltage is much lower than a tube amp, the continued contact would cause the signal to supply ever increasing amperage (current)
which in turn penetrates deeper than skin levels. Always Act responsibly around all live wire connections on stage and in practice.
Ask for help and assistance whenever you even need to be near wires that run into speakers.
Remember smaller wires can be a sign of higher voltages as high voltage requires lesser wire diameters.
Understand many speaker jacks use the metal of the jack itself as a hot or 'live' path to ground.
These standards have been with us a long time and perpetuate themselves and make innovation harder.
Our index listing catagory is as communication consultants and not as a consumer electrionics company.
amp with fickle bass killer underpowered tube amplifiers?
And have a great day, month and quarter in your personal business affairs.
